<abstract xmlns="http://www.w3.org/1999/xhtml"><p>Stimuli produced by a female speaker with four different voice qualities - modal, girlish, breathy and creaky - were manipulated to have more or less formant dispersion and were rated on four scales (dominance, attractiveness, sexiness and youthfulness) by men and women. Stimuli with less formant dispersion were rated more dominant and those with more dispersed formants were rated as less dominant. Breathy voice and girlish voice were rated more attractive and sexy. Stimuli with a creaky voice were rated less attractive and sexy, as were stimuli with less formant dispersion. Girlish voices and those with greater formant dispersion were rated as more youthful; creaky voices and those with less formant dispersion were rated as less youthful. There were also gender differences in ratings of attractiveness and youthfulness. Our results suggest that women’s voice qualities can affect perceptions of their attractiveness, sexiness and youthfulness. We discuss the implications of these findings in the context of social signaling.</p></abstract>

Stimuli produced by a female speaker with four different voice qualities - modal, girlish, breathy and creaky - were manipulated to have more or less formant dispersion and were rated on four scales (dominance, attractiveness, sexiness and youthfulness) by men and women. Stimuli with less formant dispersion were rated more dominant and those with more dispersed formants were rated as less dominant. Breathy voice and girlish voice were rated more attractive and sexy. Stimuli with a creaky voice were rated less attractive and sexy, as were stimuli with less formant dispersion. Girlish voices and those with greater formant dispersion were rated as more youthful; creaky voices and those with less formant dispersion were rated as less youthful. There were also gender differences in ratings of attractiveness and youthfulness. Our results suggest that women’s voice qualities can affect perceptions of their attractiveness, sexiness and youthfulness. We discuss the implications of these findings in the context of social signaling.

Effects of Four Voice Qualities and Formant Dispersion on Perception of a Female Voice

Psychology of Language and Communication

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Stimuli produced by a female speaker with four different voice qualities - modal, girlish, breathy and creaky - were manipulated to have more or less formant...

Effects of Four Voice Qualities and Formant Dispersion on Perception of a Female Voice

Data publikacji: 24 paź 2018

Zakres stron: 394 - 416

DOI: https://doi.org/10.2478/plc-2018-0018

Słowa kluczowe
vocal judgments, female voice, voice qualities, formant dispersion

© 2018 Andrea Levitt, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Effects of Four Voice Qualities and Formant Dispersion on Perception of a Female Voice

Data publikacji: 24 paź 2018

Zakres stron: 394 - 416

DOI: https://doi.org/10.2478/plc-2018-0018

Słowa kluczowevocal judgments, female voice, voice qualities, formant dispersion

© 2018 Andrea Levitt, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Słowa kluczowe
vocal judgments, female voice, voice qualities, formant dispersion