Counterfactuality as a Polyphonic Assemblage. Entangled Human and Nonhuman Stories of Early Modern Sciences in Neal Stephenson’s The Baroque Cycle
Publié en ligne: 14 déc. 2018
Pages: 110 - 121
Reçu: 09 mai 2018
Accepté: 31 oct. 2018
© 2018 Mateusz Chaberski, published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.