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Art History & Criticism
Volume 14 (2018): Issue 1 (December 2018)
Open Access
Counterfactuality as a Polyphonic Assemblage. Entangled Human and Nonhuman Stories of Early Modern Sciences in Neal Stephenson’s
The Baroque Cycle
Mateusz Chaberski
Mateusz Chaberski
| Dec 14, 2018
Art History & Criticism
Volume 14 (2018): Issue 1 (December 2018)
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Published Online:
Dec 14, 2018
Page range:
110 - 121
Received:
May 09, 2018
Accepted:
Oct 31, 2018
DOI:
https://doi.org/10.2478/mik-2018-0010
Keywords
counterfactuality
,
assemblage
,
science-fiction
,
Anthropocene
,
science studies
© 2018 Mateusz Chaberski, published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.