<abstract xmlns="http://www.w3.org/1999/xhtml"><p>The present paper is devoted to the translation theoretical, linguistic-textual comparison of the Hungarian film dialogues and their English subtitles of the short dramedy entitled <italic>Susotázs</italic> [<italic>Chuchotage</italic>, 2018] and directed by Barnabás Tóth, winner of several film festivals and shortlisted for Academy Awards in 2019. Subtitling is considered to be a form of rewriting, requiring text reduction through condensation, reformulation, and omission at word and/or sentence level (<xref ref-type="bibr" rid="j_ausp-2019-0026_ref_004_w2aab3b7b4b1b6b1ab1ab4Aa">Díaz Cintas–Remael 2007</xref>). Following the theoretical considerations regarding the linguistic aspects of subtitling and its strategies, the paper discusses several aspects of rendering the Hungarian dialogue in the form of English subtitles, such as forms of address, informal expressions, and culture-specific elements. Finally, the analysis aims to highlight the possibilities of making Hungarian humour available in English.</p></abstract>

The present paper is devoted to the translation theoretical, linguistic-textual comparison of the Hungarian film dialogues and their English subtitles of the short dramedy entitled Susotázs [Chuchotage, 2018] and directed by Barnabás Tóth, winner of several film festivals and shortlisted for Academy Awards in 2019. Subtitling is considered to be a form of rewriting, requiring text reduction through condensation, reformulation, and omission at word and/or sentence level (Díaz Cintas–Remael 2007). Following the theoretical considerations regarding the linguistic aspects of subtitling and its strategies, the paper discusses several aspects of rendering the Hungarian dialogue in the form of English subtitles, such as forms of address, informal expressions, and culture-specific elements. Finally, the analysis aims to highlight the possibilities of making Hungarian humour available in English.

<italic>Chuchotage</italic> – Intermediary Spaces in (Screen) Translation

Sapientia Hungarian University of Transylvania

Acta Universitatis Sapientiae, Philologica

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

 – Intermediary Spaces in (Screen) Translation

The present paper is devoted to the translation theoretical, linguistic-textual comparison of the Hungarian film dialogues and their English subtitles of the...

Chuchotage – Intermediary Spaces in (Screen) Translation

Publié en ligne: 21 janv. 2020

Pages: 69 - 84

DOI: https://doi.org/10.2478/ausp-2019-0026

Mots clés
Hungarian film dialogue, English subtitles, interlingual transfer, humour, translation strategies

© 2019 Zsuzsanna Ajtony, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Chuchotage – Intermediary Spaces in (Screen) Translation

Publié en ligne: 21 janv. 2020

Pages: 69 - 84

DOI: https://doi.org/10.2478/ausp-2019-0026

Mots clésHungarian film dialogue, English subtitles, interlingual transfer, humour, translation strategies

© 2019 Zsuzsanna Ajtony, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
Hungarian film dialogue, English subtitles, interlingual transfer, humour, translation strategies