The Piano’s Sound Apperception in Havasi Balázs’s Compositions, with Some Remarks from Alfred Whitehead and Theodore Ziolkowski

Data publikacji: 17 sie 2019

Zakres stron: 137 - 148

DOI: https://doi.org/10.2478/saec-2019-0013

Słowa kluczowe

Havasi Balázs, piano, perception, phenomenology of the music, apperception, conscience, symbolism, classicism

© 2019 Maria-Roxana Bischin, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.