<abstract xmlns="http://www.w3.org/1999/xhtml"><p> During the last couple of years, 3D printing has been widely discussed as a technology with the potential to revolutionize production methods as we used to know them. However, hitherto not much has been written about the aesthetic| aspects of this new possibility of transferring bits to atoms. What kinds of (3D) images are awaiting us? This article focuses on how three contemporary artists are including 3D prints and the process of 3D printing in their work. The article offers a short introduction to the characteristics of 3D printing followed by indebt analysis of art works by Spanish installation artist Alicia Framis. Danish sculptor and professor at The Royal Danish Art Academy Martin Erik Andersen and German filmmaker and writer Hito Steyerl. The article points out how these, very different, works of art use 3D printing to offer the viewer a sense of inter-dimensionality. The central experience here lies somewhere between 2D and 3D. </p></abstract>

During the last couple of years, 3D printing has been widely discussed as a technology with the potential to revolutionize production methods as we used to know them. However, hitherto not much has been written about the aesthetic| aspects of this new possibility of transferring bits to atoms. What kinds of (3D) images are awaiting us? This article focuses on how three contemporary artists are including 3D prints and the process of 3D printing in their work. The article offers a short introduction to the characteristics of 3D printing followed by indebt analysis of art works by Spanish installation artist Alicia Framis. Danish sculptor and professor at The Royal Danish Art Academy Martin Erik Andersen and German filmmaker and writer Hito Steyerl. The article points out how these, very different, works of art use 3D printing to offer the viewer a sense of inter-dimensionality. The central experience here lies somewhere between 2D and 3D.

Holding Your Scream in Your Hand. 3D Printing as Inter-Dimensional Experience in Contemporary Artworks by Alicia Framis, Martin Erik Andersen and Hito Steyerl

Acta Universitatis Sapientiae, Film and Media Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

During the last couple of years, 3D printing has been widely discussed as a technology with the potential to revolutionize production methods as we used to...

Holding Your Scream in Your Hand. 3D Printing as Inter-Dimensional Experience in Contemporary Artworks by Alicia Framis, Martin Erik Andersen and Hito Steyerl

Data publikacji: 06 kwi 2016

Zakres stron: 25 - 45

DOI: https://doi.org/10.1515/ausfm-2015-0024

Słowa kluczowe
3D printing, contemporary art, new technology and imagemaking, Alicia Framis, Martin Erik Andersen, Hito Steyerl

© 2016

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Holding Your Scream in Your Hand. 3D Printing as Inter-Dimensional Experience in Contemporary Artworks by Alicia Framis, Martin Erik Andersen and Hito Steyerl

Data publikacji: 06 kwi 2016

Zakres stron: 25 - 45

DOI: https://doi.org/10.1515/ausfm-2015-0024

Słowa kluczowe3D printing, contemporary art, new technology and imagemaking, Alicia Framis, Martin Erik Andersen, Hito Steyerl

© 2016

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Słowa kluczowe
3D printing, contemporary art, new technology and imagemaking, Alicia Framis, Martin Erik Andersen, Hito Steyerl