<abstract xmlns="http://www.w3.org/1999/xhtml"><p> This paper introduces the results of a two-stage analysis of one Japanese mainstream and one women’s pornographic film from the Internet, asking whether any differences between the gender representations of both sexes can be observed, and whether these differences correspond to the films’ Western counterparts. In the first stage, the films are being analysed regarding their correspondence to characteristics of mainstream pornography and, respectively, criteria of women’s pornography, which were developed through Western feminists’ debates. The detailed case studies of the two films that were selected as examples deal with their general and sexual contents, aesthetic elements, dialogues, and the appearance of the characters. In the second stage, the gender roles are being examined. The analysis firstly confirms that both films correspond to their Western counterparts and that they contain substantial differences concerning contents, aesthetic elements, dialogues, and the quality of the displayed relationship of the characters. Secondly, the paper shows that the gender representations in the mainstream pornographic film stick to conventional gender roles related to this genre, with an emphasis on male-centered sexual practices, which are linked to the female body’s objectification. By contrast, the women’s pornographic film features-besides female-friendly sexual practices-non-sexual aspects of the relationship between the characters and introduces an alternative male role model.</p></abstract>

This paper introduces the results of a two-stage analysis of one Japanese mainstream and one women’s pornographic film from the Internet, asking whether any differences between the gender representations of both sexes can be observed, and whether these differences correspond to the films’ Western counterparts. In the first stage, the films are being analysed regarding their correspondence to characteristics of mainstream pornography and, respectively, criteria of women’s pornography, which were developed through Western feminists’ debates. The detailed case studies of the two films that were selected as examples deal with their general and sexual contents, aesthetic elements, dialogues, and the appearance of the characters. In the second stage, the gender roles are being examined. The analysis firstly confirms that both films correspond to their Western counterparts and that they contain substantial differences concerning contents, aesthetic elements, dialogues, and the quality of the displayed relationship of the characters. Secondly, the paper shows that the gender representations in the mainstream pornographic film stick to conventional gender roles related to this genre, with an emphasis on male-centered sexual practices, which are linked to the female body’s objectification. By contrast, the women’s pornographic film features-besides female-friendly sexual practices-non-sexual aspects of the relationship between the characters and introduces an alternative male role model.

Women’s Pleasure Online? A Contrasting Analysis of One Japanese Mainstream and One Women’s Pornographic Film from the Internet

Vienna Journal of East Asian Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

This paper introduces the results of a two-stage analysis of one Japanese mainstream and one women’s pornographic film from the Internet, asking whether any...

Women’s Pleasure Online? A Contrasting Analysis of One Japanese Mainstream and One Women’s Pornographic Film from the Internet

Pubblicato online: 05 dic 2018

Pagine: 33 - 64

DOI: https://doi.org/10.2478/vjeas-2016-0002

Parole chiave
film analysis, Japanese mainstream pornography, Japanese women’s pornography, gender roles, PorNo and PorYes feminism

© 2018 Katharina Helm, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Women’s Pleasure Online? A Contrasting Analysis of One Japanese Mainstream and One Women’s Pornographic Film from the Internet

Pubblicato online: 05 dic 2018

Pagine: 33 - 64

DOI: https://doi.org/10.2478/vjeas-2016-0002

Parole chiavefilm analysis, Japanese mainstream pornography, Japanese women’s pornography, gender roles, PorNo and PorYes feminism

© 2018 Katharina Helm, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Parole chiave
film analysis, Japanese mainstream pornography, Japanese women’s pornography, gender roles, PorNo and PorYes feminism