[Agamben, Giorgio. 2000. Marginal Notes on Commentaries on the Society of the Spectacle. In Means without End. Notes on Politics (Theory Out of Bounds), 73–89. Minneapolis–London: University of Minnesota Press.]Search in Google Scholar
[Agnew, Vanessa. 2004. Introduction: What is Reenactment? Criticism vol. 46, no. 3: 327–339. http://digitalcommons.wayne.edu/criticism/vol46/iss3/2. Last accessed 01. 05. 2017.]Search in Google Scholar
[Arns, Inke. 2007. History Will Repeat Itself. Strategies of Re-enactment in Contemporary (Media) Art and Performance. http://en.inkearns.de/files/2011/05/HWRI-Arns-Kat-2007-engl.pdf. Last accessed 01. 05. 2017.]Search in Google Scholar
[Bakhtin, Mikhail. 1984 [1965]. Popular-Festive Forms and Images in Rabelais. In Rabelais and His World, 196–277. Bloomington: Indiana University Press.]Search in Google Scholar
[Barthes, Roland. 1982 [1980]. Camera Lucida: Reflections on Photography. New York: Hill and Wang.]Search in Google Scholar
[Baudrillard, Jean. 1993. The Timişoara Syndrome: The Télécratie and the Revolution. Columbia Documents of Architecture and Theory vol. 2: 61–71.]Search in Google Scholar
[Boal, Augusto. 2006. Games for Actors and Non-Actors. Theatre of the Oppressed. London: Routledge.10.4324/9780203994818]Search in Google Scholar
[Bolter, Jay David and Richard Grusin. 2000. Remediation: Understanding New Media. Cambridge–London: MIT Press.]Search in Google Scholar
[Brandstätter, Susanne and Gabriela Adameşteanu. 2004. Şah-mat. Strategia unei revoluţii. [Checkmate. The Strategy of a Revolution] http://revista22.ro/750/.html. Last accessed 01. 05. 2017.]Search in Google Scholar
[Certeau, Michel de. 1984. The Practice of Everyday Life. Berkeley: University of California Press.]Search in Google Scholar
[Cesereanu, Ruxandra. 2009. Decembrie ’89. Deconstrucţia unei revoluţii. [December ’89. The Deconstruction of a Revolution], Iaşi: Polirom.]Search in Google Scholar
[Churchill, Caryl. 1998 [1991]. Mad Forest. In Plays: Three, 85–144. London: Nick Hern Books.]Search in Google Scholar
[Cociaş, Victoria. 2010. “Ein in die Enge Getriebenes Tier.” [A cornered animal] In Die letzten Tage der Ceauşescus. Materialien, Dokumente, Theorie. [The Last Days of the Ceauşescus: Materials, Documents, Theories], ed. Milo Rau, 60–63. Berlin: Verbrecher Verlag.]Search in Google Scholar
[Flusser, Vilém. 1990. Television Image and Political Space in the Light of the Romanian Revolution. April 7th, Budapest: Kunsthalle, lecture: https://www.youtube.com/watch?v=QFTaY2u4NvI&feature=channel_video_title. Last accessed 01.05.2017.]Search in Google Scholar
[Hall, Andrew Richard. 2016. Madalin Hodor, GELA*, and Me: How 20 years later details from my dissertation show up on Romanian TV. https://romanianrevolutionofdecember1989.com/madalin-hodor-gela-and-me-how-20-years-later-details-from-my-dissertation-show-up-on-romanian-tv. Last accessed 01.05.2017.]Search in Google Scholar
[Hodor, Mădălin. 2016. Mitingul din 21 decembrie 1989. Epitaful unui alt episod al „loviturii de stat.” [The meeting of 21 December 1989. The epitaph of another episode of a “coup d’état”] http://revista22.ro/70259089/mitingul-din-21-decembrie-1989-epitaful-unui-alt-episod-al-loviturii-de-stat.html. Last accessed 01.05.2017.]Search in Google Scholar
[Koselleck, Reinhart. 1979. Vergangene Zukunft. Zur Semantik Geschichtlicher Zeiten. [The Past Future. The Semantics of Historical Times], Frankfurt am Main: Suhrkamp.]Search in Google Scholar
[Lefebvre, Henri. 1991 [1974]. The Production of Space. Oxford: Blackwell.]Search in Google Scholar
[Müller, Herta. 1989 [1986]. The Passport. London: Serpent’s Tail.]Search in Google Scholar
[Pârvulescu, Constantin. 2013. Embodied Histories. Harun Farocki and Andrei Ujică’s Videograms of a Revolution and Ovidiu Bose Paştina’s Timişoara–December 1989 and the Uses of the Independent Camera. Rethinking History: The Journal of Theory and Practice vol. 17, no. 3: 354–382.]Search in Google Scholar
[Pascariu, Roxana. 2007. Responsabilizarea prezentului. Pădurea nebună. O piesă din România. [The Responsibility of the Present. The Mad Forest. A Play from Romania] http://www.revista22.ro/responsabilizarea-prezentului--padurea-nebuna--o-piesa-din-romania-3359.html. Last accessed 01. 05. 2017.]Search in Google Scholar
[Petrovszky, Konrad and Ovidiu Tichindeleanu. 2009. Revoluţia Română televizată. Contribuţii la istoria culturală a mediilor. [The Romanian Revolution on TV. Contributions to the Cultural History of Media], Cluj-Napoca: Idea Design & Print.]Search in Google Scholar
[Picard, Caroline. 2011. Reenacting a Many Possible Past: An Interview with Irina Botea. http://blog.art21.org/2011/01/07/reenacting-a-many-possible-past-an-interview-with-irina-botea/#.VvWj40AYFIW. Last accessed 01. 05. 2017.]Search in Google Scholar
[Rothberg, Michael. 2009. Introduction: Theorizing Multidirectional Memory in a Transnational Age. In Multidirectional Memory. Remembering the Holocaust in the Age of Decolonization, 1–29. Stanford: Stanford University Press.]Search in Google Scholar
