Accesso libero

Pictorial Real, Historical Intermedial. Digital Aesthetics and the Representation of History in Eric Rohmer’s The Lady and the Duke

INFORMAZIONI SU QUESTO ARTICOLO

Cita

Barthes, Roland. 1981. Camera Lucida: Reflections on Photography. New York: Hill and Wang.Search in Google Scholar

Benjamin, Walter. 1969. The Work of Art in the Age of Mechanical Reproduction. In Illuminations: Essays and Reflections, 217–252. New York: Schocken Books.10.4324/9780429498909-39Search in Google Scholar

Benveniste, Émile. 1971. Problems in General Linguistics. Coral Gables: University of Miami Press.Search in Google Scholar

Bolter, Jay David and Grusin, Richard. 1999. Remediation, Understanding New Media, MA: The MIT Press.10.1108/ccij.1999.4.4.208.1Search in Google Scholar

Casetti, Francesco. 1999. Inside the Gaze: The Fiction Film and Its Spectator. Bloomington: Indiana University Press.Search in Google Scholar

Deleuze, Gilles. 1986. Cinema 1: The Movement Image. Minneapolis: Minnesota University Press.10.5040/9781350251977Search in Google Scholar

Deleuze, Gilles. 1992. The Fold. Leibniz and the Baroque. Minneapolis: University of Minnesota Press.Search in Google Scholar

Didi-Huberman, Georges. 2005. Confronting Images: Questioning the Ends of a Certain History of Art. Philadelphia: Pennsylvania State University Press.Search in Google Scholar

Dinoi, Marco. 2008. Lo sguardo e l’evento. I media, la memoria, il cinema [The Gaze and the Event. Media, Memory, Cinema]. Firenze: Le Lettere.Search in Google Scholar

Dottorini, Daniele. 2004. (Ar)resto dell’immagine. Pratiche del rifiuto nel cinema [(Ar)Rest of the Image. Cinematic Practices of the Refusal]. Kainós no. 4–5. http://www.kainos.it/numero4/ricerche/dottorini.html. Last accessed 09.01.2015.Search in Google Scholar

Eisenstein, Sergei. 1988. Nonindifferent Nature: Film and the Structure of Things. Cambridge: Cambridge University Press.Search in Google Scholar

Foucault, Michel. 1979. Discipline and Punish. New York: Vintage.Search in Google Scholar

Han, Byung-Chul. 2015. The Transparency Society. Stanford: Stanford University Press.Search in Google Scholar

Marin, Louis. 1995. To Destroy Painting. Chicago: Chicago University Press.Search in Google Scholar

Metz, Christian. 2016. The Impersonal Enunciation, or the Place of Film. New York: Columbia University Press.10.7312/metz17366Search in Google Scholar

Pethő, Agnes. 2009. (Re)Mediating the Real. Paradoxes of an Intermedial Cinema of Immediacy. Acta Univ. Sapientiae: Film and Media Studies, no. 1: 47–68.Search in Google Scholar

Peucker, Brigitte. 2007. The Material Image: Art and the Real in Film. Stanford: Stanford University Press.10.1515/9781503626072Search in Google Scholar

Rajewsky, Irina O. 2005. Intermediality, Intertextuality and Remediation: A Literary Perspective on Intermediality. Intermédialité no. 6, Automne: 43–64.Search in Google Scholar

Ricoeur, Paul. 1986. Time and Narrative, Volume 2. Chicago: Chicago University Press.10.7208/chicago/9780226713526.001.0001Search in Google Scholar

Rodowick, Dennis. 2001. Reading the Figural, or, Philosophy after the New Media. Durham and London: Duke University Press.10.1215/9780822380764Search in Google Scholar

Vancheri, Luc. 2007. Cinéma et peinture. Paris: Armand Colin.10.14375/NP.9782200352844Search in Google Scholar

eISSN:
2066-7779
Lingua:
Inglese
Frequenza di pubblicazione:
2 volte all'anno
Argomenti della rivista:
Library and Information Science, Book Studies, Media and Press