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The notion of the ‘new speaker’, and its salience particularly in relation to minority language sociolinguistics, has become increasingly prevalent in the last decade. The term refers to individuals who have acquired an additional language to high levels of oracy and make frequent use of it in the course of their lives. Language advocates in both Scotland and Nova Scotia emphasise the crucial role of new speakers in maintaining Gaelic on both sides of the Atlantic. As a result, Gaelic language teaching has been prioritised by policymakers as a mechanism for revitalising the language in both polities. This article examines reflexes of this policy in each country, contrasting the ongoing fragility of Gaelic communities with new speaker discourses around heritage, identity, and language learning motivations. Crucially, I argue that challenging sociodemographic circumstances in Gaelic communities in Scotland and Nova Scotia contrast with current policy discourses, and with new speaker motivations for acquiring higher levels of Gaelic oracy in North America.
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Transatlantic Context for Gaelic Language Revitalisation

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This paper discusses the representation of Dublin in the selected poetry of Louis MacNeice and some of the stories from James Joyce’s collection <italic>Dubliners</italic>. A close investigation of the city as a representative of urban space is interlinked with an examination of its role from the perspective of psychogeography. Both techniques are applied to show why and how two Irish authors portray the multi-dimensional decay of life in the city. In order to paint a whole picture of the relation between ‘space’ and ‘human’, I will also review the biographies of MacNeice and Joyce. For MacNeice, who was tormented by the experiences of domestic Belfast, going to the South was a promising escape. Yet, the change of urban setting did not bring him the expected result. MacNeice quickly became aware of the dirty, paralysed face of Dublin. Similarly, the childhood and day-to-day reality of the lower-middle-class profoundly shaped Joyce’s perspective of Dublin and, eventually, prompted him to go into deliberate exile in Europe. In his writings, however, Dublin constitutes the focal point of the structure, becoming an active participant in the events. Therefore, Dublin for MacNeice and Joyce is a place characterized by blandness, powerlessness in the face of foreign influences, and suffering caused by inertia.
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“Exile from Ireland Left Him a Stranger Everywhere“: Representation of Dublin in Selected Louis Macneice’s Poetry and Some of the Stories from James Joyce’s <italic>Dubliners</italic>”

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This article evaluates perceptions of Manx orthography within Celtic scholarship. The predominant view is well summarized by Jackson (1955: 108): ‘Manx orthography is an English monstrosity which obscures both pronunciation and etymology’. Similarly, O’Rahilly dismisses Manx spelling as ‘an abominable system, neither historic nor phonetic, and based mainly on English’ (O’Rahilly 1932: 20). The article sets these perceptions in the sociohistorical context in which the system was developed by the Manx clergy in the seventeenth and eighteenth centuries. It is argued that the system is neither so directly dependent on English conventions, nor so unsystematic and inconsistent, as has been often claimed. Such weaknesses as do exist from the perspective of contemporary scholars and students of the language should not necessarily be viewed as such in the light of the needs, priorities and assumptions of those who practised Manx writing in its original context. It is shown that there was in fact an increase in the phonological transparency of certain elements of the system during the standardization of the mid-eighteenth century represented by the publication of translations of the Book of Common Prayer (1765) and the Bible (1771-72). On the other hand, countervailing pressures towards phonological ambiguity, iconicity and idiosyncrasy are discussed, including the utility of distinguishing homophones; real or presumed etymologies; the influence of non-standard or regional English spelling conventions; tensions between Manx and English norms; and an apparent preference in certain cases for more ambiguous spellings as a compromise between variant forms. Negative outcomes of the received view for scholarship on Manx are also examined, with a case study of the neglect of orthographic evidence for the historical phonology of the language. The wider context of English-based orthographies for Gaelic is also briefly considered.
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‘An English Monstrosity’? Evolution and Reception of Manx Orthography

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This paper will explore the accuracy and intent of the term <italic>dux bellorum</italic>, leader of war, as used in the <italic>Historia Brittonum</italic> with regards to Arthur. A discussion of Post-Roman archaeology, supplemented with contemporary historical documents, will establish that no Roman commands, such as the <italic>dux Britanniarum</italic> or <italic>comes Britanniarum</italic>, survived into the “Arthurian” period of the late fifth or early sixth centuries. A broader search of historical records will indicate that a linguistic cognate of <italic>dux bellorum</italic> was twice conferred on Celtic kings when leading a coalition of tribes in times of mutual threat according to the historical record; one was known to the author of the <italic>Historia Brittonum</italic>. A review of <italic>Historia Brittonum</italic> scholarship will show it came to its present form in c. 829 Gwynedd, ruled at the time by Merfyn Frych. The contemporary historical context was that the British kingdoms had been pressured for decades by the English and were specifically invaded by Wessex at around this time. This will be followed by a discussion of several biases in the history including a focus on Gwynedd’s dynasties and Merfyn in particular and British success against the English when united and failure when they were divided. Arthur was the best example of the latter agenda and because of this the most likely example of what Merfyn hoped to create. A summary of Merfyn’s political career in this context can be used to explain Arthur’s entire description in the work.
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Dux Bellorum

Review

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Studia Celtica Posnaniensia

 Studia Celtica Posnaniensia is an international review of Celtic Studies appearing once a year in paper and electronic format and published by the Faculty of English, Adam Mickiewicz University in Poznań, Poland.  The journal publishes original articles on all aspects of the linguistics, literatures, cultures and history of the Celtic countries, discussion papers, review articles, reply articles and book reviews.  Studia Celtica Posnaniensia accepts submissions continuously and offers immediate publication online upon completion of the publishing process.  The language of the journal is English.  Rejection Rate   20%   Studia Celtica Posnaniensia is an Open Access journal. The journal does not have article processing charges (APCs) nor article submission charges.Contributions are subject to a double-blind peer review process supervised by the editorial board and the advisory board. Why submit  Peer reviewed  Archiving  Sciendo archives the contents of this journal in Portico - digital long-term preservation service of scholarly books, journals and collections.  Plagiarism Policy  The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process. 

Studia Celtica Posnaniensia

Volume 5 (2020): Issue 1 (December 2020)

Transatlantic Context for Gaelic Language Revitalisation

“Exile from Ireland Left Him a Stranger Everywhere“: Representation of Dublin in Selected Louis Macneice’s Poetry and Some of the Stories from James Joyce’s Dubliners”

‘An English Monstrosity’? Evolution and Reception of Manx Orthography

Dux Bellorum

Review

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