<abstract xmlns="http://www.w3.org/1999/xhtml"><p>This paper unfolds around an empirical experiment, which aimed to reveal the meaning of industrial culture and place attachment of local inhabitants of Chemnitz. The central argument of the article is that industrial culture is usually understood in a historicizing and aestheticizing way, fuelled by the possibilities to valorise the legacies of the age of industrialization and its persistent artefacts and structures for marketing or musealization purposes. This frequently observable urban strategy neglects the memories, experiences and emotions of local inhabitants, and thus fails to support positive identification processes with connection to the industrial past of a specific place. This paper elaborates a conceptual definition of industrial culture as a complex approach with tangible and intangible dimensions, various temporal layers and multiple, sometimes controversial narratives. It discusses the role of industrial culture for regional and local image building and place related identity formation and demonstrates – reporting from an empirical experiment–, how individual counter-narratives can be detected, visualized and transferred and thus can increase reflexivity of society and support regional identity processes.</p></abstract>

This paper unfolds around an empirical experiment, which aimed to reveal the meaning of industrial culture and place attachment of local inhabitants of Chemnitz. The central argument of the article is that industrial culture is usually understood in a historicizing and aestheticizing way, fuelled by the possibilities to valorise the legacies of the age of industrialization and its persistent artefacts and structures for marketing or musealization purposes. This frequently observable urban strategy neglects the memories, experiences and emotions of local inhabitants, and thus fails to support positive identification processes with connection to the industrial past of a specific place. This paper elaborates a conceptual definition of industrial culture as a complex approach with tangible and intangible dimensions, various temporal layers and multiple, sometimes controversial narratives. It discusses the role of industrial culture for regional and local image building and place related identity formation and demonstrates – reporting from an empirical experiment–, how individual counter-narratives can be detected, visualized and transferred and thus can increase reflexivity of society and support regional identity processes.

Beyond the City of Modernism: a counter-narrative of industrial culture

Institute for European Studies / Human Geography of East Central Europe

GeoScape

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"Beyond the City of Modernism: a counter-narrative of industrial culture"}

This paper unfolds around an empirical experiment, which aimed to reveal the meaning of industrial culture and place attachment of local inhabitants of...

Beyond the City of Modernism: a counter-narrative of industrial culture

Publié en ligne: 26 juin 2018

Pages: 26 - 38

Reçu: 27 mars 2018

Accepté: 14 juin 2018

DOI: https://doi.org/10.2478/geosc-2018-0004

Mots clés
Chemnitz, Industrial culture, Mixed method approach, Participatory approach, Regional identity, App ‘Discovering the industrial culture of chemnitz’

© 2018 Birgit Glorius et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Beyond the City of Modernism: a counter-narrative of industrial culture

Publié en ligne: 26 juin 2018

Pages: 26 - 38

Reçu: 27 mars 2018

Accepté: 14 juin 2018

DOI: https://doi.org/10.2478/geosc-2018-0004

Mots clésChemnitz, Industrial culture, Mixed method approach, Participatory approach, Regional identity, App ‘Discovering the industrial culture of chemnitz’

© 2018 Birgit Glorius et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
Chemnitz, Industrial culture, Mixed method approach, Participatory approach, Regional identity, App ‘Discovering the industrial culture of chemnitz’