<abstract xmlns="http://www.w3.org/1999/xhtml"><p>The article looks at German Expressionist cinema through the eyes of contemporary, non-commercial filmmakers, to attempt to discover what aspects of this 1920s approach may guide filmmakers today. By drawing parallels between the outsider nature of Weimar artist-driven approaches to collaborative filmmaking and twenty-first-century non-mainstream independent filmmaking outside of major motion picture producing centres, the writers have attempted to find ways to strengthen their own filmmaking practices as well as to investigate methods of re-invigorating other independent or national cinemas. Putting their academic observations of the thematic, technical, and aesthetic aspects of Expressionist cinema into practice, Ells and Saul illustrate and discuss the uses, strengths, and pitfalls, within the realm of low-budget art cinema today.</p></abstract>

The article looks at German Expressionist cinema through the eyes of contemporary, non-commercial filmmakers, to attempt to discover what aspects of this 1920s approach may guide filmmakers today. By drawing parallels between the outsider nature of Weimar artist-driven approaches to collaborative filmmaking and twenty-first-century non-mainstream independent filmmaking outside of major motion picture producing centres, the writers have attempted to find ways to strengthen their own filmmaking practices as well as to investigate methods of re-invigorating other independent or national cinemas. Putting their academic observations of the thematic, technical, and aesthetic aspects of Expressionist cinema into practice, Ells and Saul illustrate and discuss the uses, strengths, and pitfalls, within the realm of low-budget art cinema today.

Shadows Illuminated. Understanding German Expressionist Cinema through the Lens of Contemporary Filmmaking Practices

Acta Universitatis Sapientiae, Film and Media Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The article looks at German Expressionist cinema through the eyes of contemporary, non-commercial filmmakers, to attempt to discover what aspects of this 1920s...

Shadows Illuminated. Understanding German Expressionist Cinema through the Lens of Contemporary Filmmaking Practices

Publié en ligne: 17 août 2019

Pages: 103 - 126

DOI: https://doi.org/10.2478/ausfm-2019-0006

Mots clés
Expressionism, cinema, filmmaking, authenticity, interdisciplinarity

© 2019 Gerald Saul et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Shadows Illuminated. Understanding German Expressionist Cinema through the Lens of Contemporary Filmmaking Practices

Publié en ligne: 17 août 2019

Pages: 103 - 126

DOI: https://doi.org/10.2478/ausfm-2019-0006

Mots clésExpressionism, cinema, filmmaking, authenticity, interdisciplinarity

© 2019 Gerald Saul et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
Expressionism, cinema, filmmaking, authenticity, interdisciplinarity