Accès libre

See, Seeing, Seen, Saw: A Phenomenology of Ultra-Violent Cinema

   | 25 sept. 2014
À propos de cet article

Citez

Barker, Jennifer. 2009. The Tactile Eye: Touch and the Cinematic Experience.Search in Google Scholar

Berkeley: University of California Press.Search in Google Scholar

Carlson, Neil R. 2011. Foundations of Behavioural Neuroscience. Amherst: University of Massachusetts Press.Search in Google Scholar

Castells, Manuel. 2000. The Rise of the Network Society. Oxford: Blackwell.Search in Google Scholar

Jones, Amelia. 2006. Self/Image: Technology Representation and the Contemporary Subject. London: Routledge.Search in Google Scholar

Jung, Christina and Peggy Sparenberg. 2012. Cognitive Perspectives on Embodiment. In Body Memory, Metaphor and Movement, eds. Sabine C. Kach, Thomas Fuchs, Michela Summa and Cornelia Müller, 141-54. Philadelphia: John Benjamins.Search in Google Scholar

Marks, Laura U. 2002. Touch: Sensuous Theory and Multisensory Media.Search in Google Scholar

Minneapolis: University of Minnesota Press.Search in Google Scholar

Sartre, Jean-Paul. 1957. Being and Nothingness. London: Methuen.Search in Google Scholar

Scarry, Elaine. 1985. The Body In Pain. Oxford: Oxford University Press.Search in Google Scholar

Sharrett, Christopher. 2009. The Problem of Saw: “Torture Porn” and the Conservatism of Contemporary Horror Films. Cineaste vol. 35 no. 1 (Winter): 32-39.Search in Google Scholar

Smith, C. U. M. 2000. Biology of Sensory Systems. Chichester: Wiley.Search in Google Scholar

Sobchack, Vivian. 2002. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press.Search in Google Scholar

Sontag, Susan. 2003. Regarding the Pain of Others. London: Hamish Hamilton10.3917/dio.201.0127Search in Google Scholar

eISSN:
2066-7779
Langue:
Anglais
Périodicité:
2 fois par an
Sujets de la revue:
Library and Information Science, Book Studies, Media and Press