[Bruss, Elizabeth W. 1980. “Eye for I: Making and Unmaking Autobiography in Film.” In Autobiography: Essays Theoretical and Critical, ed. James Olney, 296–320. New Jersey: Princeton University Press.10.1515/9781400856312.296]Search in Google Scholar
[Douglas, Kate. 2010. Contesting Childhood: Autobiography, Trauma, and Memory. New Jersey and London: Rutgers University Press.]Search in Google Scholar
[Eakin, Paul John. 2008. Living Autobiographically: How We Create Identity in Narrative. London: Cornell University Press.]Search in Google Scholar
[Ebiri, Bilge and Alejandro Jodorowsky. 2014. “Interview: Alejandro Jodorowsky on The Dance of Reality and the Healing Power of Art.” RogerEbert.com, May 22. http://www.rogerebert.com/interviews/interview-alejandro-jodorowsky-on-the-dance-of-reality-and-the-healing-power-of-art (Last accessed 11 April 2016)]Search in Google Scholar
[Gilmore, Leigh. 2001. The Limits of Autobiography: Trauma and Testimony. London: Cornell University Press.10.7591/9781501724343]Search in Google Scholar
[Harrod, Horatia. 2015. “Alejandro Jodorowsky: Meet the World’s Most Eccentric Filmmaker.” The Telegraph August 23. http://www.telegraph.co.uk/film/the-dance-of-reality/alejandro-jodorowsky-brontis/ (Last accessed 10 April 2016)]Search in Google Scholar
[Hutcheon, Linda and Siobhan O’Flynn. 2013 [2006]. A Theory of Adaptation. London and New York: Routledge.]Search in Google Scholar
[Jodorowsky, Alejandro. 2014. The Dance of Reality: A Psychomagical Autobiography. Trans. Ariel Godwin (La danza de la realidad, 2001), Rochester: Park Street Press.]Search in Google Scholar
[Jodorowsky, Alejandro. 2015. Where the Bird Sings Best. Trans. Alfred MacAdam. Brooklyn, New York: Restless Books. Kindle Edition.]Search in Google Scholar
[Miller, Jacques-Alain. 1991. “The Analytic Experience: Means, Ends, and Results.” In Lacan and the Subject of Language, eds. Ellie Ragland-Sullivan and Mark Bracher, 83–99. New York: Routledge.]Search in Google Scholar
[Mitchell, W. J. T. 1986. Iconology: Image, Text, Ideology. Chicago: University of Chicago Press.10.7208/chicago/9780226148052.001.0001]Search in Google Scholar
[Nastasi, Alison and Alejandro Jodorowsky. 2014. “’Industrial Pictures Are Not Art’: Legendary Cult Filmmaker Alejandro Jodorowsky on New Film The Dance of Reality and How Hollywood Is Killing Cinema.” Flavorwire, May 17. http://flavorwire.com/457870/industrial-pictures-are-not-art-legendary-cult-filmmaker-alejandro-jodorowsky-on-new-film-the-dance-of-reality-and-how-hollywood-is-killing-cinema (Last accessed 10 April 2016)]Search in Google Scholar
[Olsen, Mark and Alejandro Jodorowsky. 2014. “Alejandro Jodorowsky’s Renewal Continues with The Dance of Reality.” Los Angeles Times May 28. http://www.latimes.com/entertainment/movies/la-et-mn-dance-of-reality-20140528-story.html (Last accessed 10 April 2016)]Search in Google Scholar
[Père, Olivier and Alejandro Jodorowsky. 2013. “Interview with Alejandro Jodorowsky.” DanceOfRealityMovie.com, May 3. http://danceofrealitymovie.com/wp-content/uploads/2014/03/The-Dance-of-Reality-Press-Notes-v2.pdf (Last accessed 8 April 2016)]Search in Google Scholar
[Richardson, Michael. 2006. Surrealism and Cinema. Oxford and New York: Berg.]Search in Google Scholar
[Starobinski, Jean. 1980. “The Style of Autobiography.” In Autobiography: Essays Theoretical and Critical, ed. James Olney, 73–83. New Jersey: Princeton University Press. [1971. In Literary Style: A Symposium, ed. Seymour Chatman. Oxford University Press.]10.1515/9781400856312.73]Search in Google Scholar
