<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>The relationship between the fantasy genre and the medium of computer games has always been a very tight-knit one. The present article explores the close connection between fantasy and computer games through different media, arguing that the fantasy genre's specific ‘mode of function’ is the ability to build complete fictional worlds, whereby it creates specific experiences for its users. Based on empirical data from focus group interviews with players of the most popular Western Massively Multiplayer Online Role-Playing Game (MMORPG) of all times, <italic>World of Warcraft</italic>, the article develops the concept of <italic>worldness</italic> as an experiential, phenomenological understanding of player experience. I discuss how this way of framing a core quality of the fantasy genre (of world-building) functions across single fictional universes and aims to grasp a specific fantasy experience of being in the world. This experience works on the level of genre, by anchoring the specific fantasy world in the larger, surrounding <italic>fantasy genre matrix</italic>.</p>
</abstract>

The relationship between the fantasy genre and the medium of computer games has always been a very tight-knit one. The present article explores the close connection between fantasy and computer games through different media, arguing that the fantasy genre's specific ‘mode of function’ is the ability to build complete fictional worlds, whereby it creates specific experiences for its users. Based on empirical data from focus group interviews with players of the most popular Western Massively Multiplayer Online Role-Playing Game (MMORPG) of all times, World of Warcraft, the article develops the concept of worldness as an experiential, phenomenological understanding of player experience. I discuss how this way of framing a core quality of the fantasy genre (of world-building) functions across single fictional universes and aims to grasp a specific fantasy experience of being in the world. This experience works on the level of genre, by anchoring the specific fantasy world in the larger, surrounding fantasy genre matrix.

Worlds at Play: Space and Player Experience in Fantasy Computer Games

Nordicom Review

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

{"article-title":"Worlds at Play: Space and Player Experience in Fantasy Computer Games"}

The relationship between the fantasy genre and the medium of computer games has always been a very tight-knit one. The present article explores the close...

Worlds at Play: Space and Player Experience in Fantasy Computer Games

Publicado en línea: 13 mar 2020

Páginas: 237 - 250

DOI: https://doi.org/10.2478/nor-2014-0115

Palabras clave
fantasy genre, MMORPG, world-building, worldness, player experience

© 2014 Claus Toft-Nielsen, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Worlds at Play: Space and Player Experience in Fantasy Computer Games

Publicado en línea: 13 mar 2020

Páginas: 237 - 250

DOI: https://doi.org/10.2478/nor-2014-0115

Palabras clavefantasy genre, MMORPG, world-building, worldness, player experience

© 2014 Claus Toft-Nielsen, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Palabras clave
fantasy genre, MMORPG, world-building, worldness, player experience