<abstract xmlns="http://www.w3.org/1999/xhtml"><p> This poem is a creative response to contemporary true crime narratives about baby farming in Victorian times, namely Alison Rattle and Allison Vale’s The Woman Who Murdered Babies for Money: The Story of Amelia Dyer (London: André Deutsch, 2011); and the TV documentary, “Amelia Dyer: Martina Cole’s Lady Killers.”</p></abstract>

This poem is a creative response to contemporary true crime narratives about baby farming in Victorian times, namely Alison Rattle and Allison Vale’s The Woman Who Murdered Babies for Money: The Story of Amelia Dyer (London: André Deutsch, 2011); and the TV documentary, “Amelia Dyer: Martina Cole’s Lady Killers.”

True Crime

American, British and Canadian Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

{"article-title":"True Crime"}

This poem is a creative response to contemporary true crime narratives about baby farming in Victorian times, namely Alison Rattle and Allison Vale’s The Woman...

True Crime

Publicado en línea: 01 jun 2017

Páginas: 131 - 132

DOI: https://doi.org/10.1515/abcsj-2017-0009

© ABC Studies, Journal of the Academic Anglophone Society of Romania

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.