10 Artikel
Uneingeschränkter Zugang | 13. Sept. 2022
Nathaniel Hawthorne’s Ecophilosophy in “Rappaccini’s Daughter”
Uneingeschränkter Zugang | 13. Sept. 2022
“Her tears fell with the dews at even”: The Ekphrastic and Intertextual Dialogue between Victorian Poetry and Pre-Raphaelite Painting
Uneingeschränkter Zugang | 13. Sept. 2022
The Commodified Happiness: The Only Established Source of Meaning in Oscar Wilde’s The Happy Prince and The Nightingale and the Rose
Uneingeschränkter Zugang | 13. Sept. 2022
The Materialisation of “torrential languages” within the Avant-Garde: Mina Loy, James Joyce, and Aesthetic Modernism
Uneingeschränkter Zugang | 13. Sept. 2022
The “bull goose looney” as a Totem Guide for Chief’s Writing Himself to Freedom
Uneingeschränkter Zugang | 13. Sept. 2022
Existential Dualism and Absurdity: Modernist Theatricality in Wole Soyinka’s Death and the King’s Horseman and Samuel Beckett’s Endgame
Uneingeschränkter Zugang | 13. Sept. 2022
Naomi Alderman’s The Power : A Speculative Feminist Dystopian Fiction Mirroring the Here and Now
Uneingeschränkter Zugang | 13. Sept. 2022
The Mitford Voice: A Diachronic Inquiry into the “Upper-Crust” Accent of the Mitford Sisters
Uneingeschränkter Zugang | 13. Sept. 2022
Book Review: Ladislav Vít The Landscapes of W.H. Auden’s Interwar Poetry: Roots and Routes (New York and London: Routledge, 2022). 143 pp
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