<abstract xmlns="http://www.w3.org/1999/xhtml">This article pursues the elements of architectural Modernism in James Graham Ballard’s 1975 novel High-Rise (1975). The enormous tower block represents a triumph of technological and constructional progress envisioned by the pioneers of modernist architecture. However, Ballard’s vision of social development within it is regressive and violent. In order to decipher the nature of the role, or lack thereof, of the tower block in the reformulation of its own social fabric, the paper studies the ways in which the narrative presents aspects analogous to the key elements of architectural modernism. Particular attention is paid to the narrative’s reflections of radical and often contradictory visions of key figures of theoretical roots of modernism, such as Le Corbusier and Karel Teige. Their ambiguous stance on the core of modernism not only determines the outcome of the social experiment performed by Ballard in High-Rise, but can also be seen as deforming the building practice until today.</abstract>

Echoes of architectural modernism in J.G. Ballard’s <italic>High-Rise</italic>

<abstract xmlns="http://www.w3.org/1999/xhtml">Tim O’Brien’s Vietnam-based The Things They Carried has been criticized for exclusively depicting the painful and traumatic experiences of the American soldiers in the war zone. Despite the limited number of Vietnamese characters in the novel, and despite their relegation to the role of powerless and voiceless onlookers, their presence shows the degree of the power imbalance between Vietnam and America. This article demonstrates how O’Brien infused sentiments in his stories to emphasize his opposition to the war and his concern for the dignity of the Vietnamese people. O’Brien asserts that the main purpose of the United States’s invasion was to make Vietnam a learnable and controllable place. Through his critique of the United States’s imperial ambitions in Vietnam, O’Brien provides a representative voice for the people of Vietnam to share their sufferings from an unjust war.</abstract>

Tim O’Brien’s representation of the subjugated other’s voice against war in <italic>The Things They Carried</italic>

<abstract xmlns="http://www.w3.org/1999/xhtml">The main objective of the following text is to focus on and exemplify the basic axioms of theories of happiness that come from historical and philosophical tradition and are still, at least in some cases, relevant nowadays. As philosophers claim, the longing for happiness is a naturally human desire that has taken various forms in their thinking: happiness was connected with beatitude (Aristotle), with self-preservation (Spinoza), social helpfulness (Hume), living in the present moment without expostulations or false illusions (Comte-Sponville), and others. The desire for happiness means the main aim of a human life drives particular life goals and the values of individuals. Concepts of happiness have accrued in diachronic and synchronic cross-sections. The Aristotelian/Spinozan conception or Kantian, modern and postmodern traditions formed in a diachronic cross-section. Those that accrued in a synchronic cross-section segregated themselves on the basis of an individual’s spiritual and bodily aspect. Spiritual happiness (spiritual bliss, and inner equilibrium, ataraxis) was preferred by the eudaimonic (ευδαιμονία) tradition (Democritus, Socrates, Aristotle, Hellenism, French materialism and others); bodily pleasures were accentuated by the hedonistic traditions (Lipovetsky, Bauman, Keller). Some conceptions examined the problem of happiness through the optics of society and the individual, stressing general goodness and helpfulness (Plato, Aristotle, Kant); or personal goodness, pleasure and benefit – the contemporary hedonistic concepts (Lipovetsky, Maffesoli, Comte-Sponville) All these conceptions of happiness are united by the common desire of people to live happily; however, their means and ways to reach such a goal are different.</abstract>

Department od Philosophy, Faculty of Arts

Department of English and American Studies, Faculty of Arts

Reflections on happiness and a happy life

<abstract xmlns="http://www.w3.org/1999/xhtml">The paper deals with the translation of the film adaptation of the literary work Das Blaue Licht (‘The Blue Light’), primarily intended for child recipients. The aim of this paper is to present a conceptual framework to describe specific aspects of communication-translation (translating children’s and youth literature, aspects of age and the projection of ideas in a different mode of adaptation), and subsequently provide a comprehensive evaluation related to the optimality of the chosen translation procedures and strategies in the Slovak dubbed version of the above-mentioned audiovisual work. The focus is on how the semantic and expressive function of the original is preserved, taking into account the way linguistic reality is depicted in communication with the child recipient.</abstract>

Fairy-tale motifs in a translation of the film adaptation of the literary work <italic>Modrý lampáš</italic> (<italic>Das Blaue Licht)</italic>

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Ars Aeterna

 Ars Aeterna is a literary peer-reviewed academic journal focused on the questions of literature and art and their importance in the contemporary world for the development of culture, mutual understanding, and the human self. It invites international contributions in the field of literary studies, concerning primarily the Anglophone world. The journal is seeking submissions on English, American, Irish, Scottish, Canadian, Australian and other English literary traditions. Its aim is to provide up-to-date and innovative critical and theoretical approaches to the study of literary text. The journal accepts studies on literary relations which include the Western tradition, but we encourage contributions which deal with world literature as well. General and comparative literature studies are also appreciated and we are open to a broad variety of methods and theories. While the journal primarily focuses on the study of literary texts, contributions related to art and film which address the text are also welcome. Submissions in English should offer international perspectives on specific themes and subjects and the journal’s thematic scope wants to provide a stimulating platform for scholarly discussions and dissemination of original research on literary history, theory, literary criticism and related matters. The content of the journal consists of high quality research articles and its target audience includes scholars and researchers in the field of literature and the study of art.  Rejection Rate   30-40%   Visit our Facebook  Archiving  Sciendo archives the contents of this journal in Portico - digital long-term preservation service of scholarly books, journals and collections.  Plagiarism Policy  The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process. 

Ars Aeterna

Volume 12 (2020): Issue 2 (December 2020)

Echoes of architectural modernism in J.G. Ballard’s High-Rise

Tim O’Brien’s representation of the subjugated other’s voice against war in The Things They Carried

Reflections on happiness and a happy life

Fairy-tale motifs in a translation of the film adaptation of the literary work Modrý lampáš (Das Blaue Licht)

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