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<p>The article analyses the discursive roles of two prominent themes of the habitual media climate change imagery: “the smokestack” and “renewable energy”. Through semiotic analysis of connotation and thematic content analysis of images in <italic>The Guardian</italic>, the article argues that the constant reliance on these two themes and the particular ways of representing them sustain a definition of climate change as a <italic>technological dualism.</italic> The article argues further that this dualism of “dirty” and “clean” technologies, as the predominant way of visualising direct causes of and responses to climate change, articulates ecological modernisation discourse and its central storyline of progressing from “defiling growth” toward “sustainable development” (<xref ref-type="bibr" rid="j_nor-2019-0003_ref_021">Hajer, 1995</xref>). The article suggests (1) further research on conventional thematic imageries as a meaningful approach to studying policy discourses and (2) the relevance of applying concepts of policy research to understanding and challenging the political bearings of prominent visualisations.</p>
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The article analyses the discursive roles of two prominent themes of the habitual media climate change imagery: “the smokestack” and “renewable energy”. Through semiotic analysis of connotation and thematic content analysis of images in The Guardian, the article argues that the constant reliance on these two themes and the particular ways of representing them sustain a definition of climate change as a technological dualism. The article argues further that this dualism of “dirty” and “clean” technologies, as the predominant way of visualising direct causes of and responses to climate change, articulates ecological modernisation discourse and its central storyline of progressing from “defiling growth” toward “sustainable development” (Hajer, 1995). The article suggests (1) further research on conventional thematic imageries as a meaningful approach to studying policy discourses and (2) the relevance of applying concepts of policy research to understanding and challenging the political bearings of prominent visualisations.

Picturing two modernities: Ecological modernisation and the media imagery of climate change

Nordicom Review

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The article analyses the discursive roles of two prominent themes of the habitual media climate change imagery: “the smokestack” and “renewable energy”....

Picturing two modernities: Ecological modernisation and the media imagery of climate change

Online veröffentlicht: 19. Feb. 2019

Seitenbereich: 61 - 74

DOI: https://doi.org/10.2478/nor-2019-0003

Schlüsselwörter
climate change, visualisation, media, discourse, ecological modernisation

© 2019 Jarkko Kangas, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Picturing two modernities: Ecological modernisation and the media imagery of climate change

Online veröffentlicht: 19. Feb. 2019

Seitenbereich: 61 - 74

DOI: https://doi.org/10.2478/nor-2019-0003

Schlüsselwörterclimate change, visualisation, media, discourse, ecological modernisation

© 2019 Jarkko Kangas, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Schlüsselwörter
climate change, visualisation, media, discourse, ecological modernisation