[
Andre Paurñfeyndt (n.d.). In Wiktenauer (C. Trosclair, Trans.). Retrieved from https://wiktenauer.com/wiki/Andre_Paur%C3%B1feyndt (Accessed January 4, 2020).
]Search in Google Scholar
[
Anglo, S. (2000). The martial arts of renaissance Europe. London, UK: Yale University Press.
]Search in Google Scholar
[
Basing, P. (1990). Trades and crafts in medieval manuscripts. New Amsterdam, UK: British Library.
]Search in Google Scholar
[
Burkart, E. (2016). Limits of understanding in the study of lost martial arts. Acta Periodica Duellatorum, 4(2), 5–30.10.1515/apd-2016-0008
]Search in Google Scholar
[
Cinato, F. (2016). Development, diffusion and reception of the “Buckler Play”: A case study of a fighting art in the Making. In D. Jaquet, K. Verelst, T. Dawson (Eds.), Late medieval and early modern fight books. Transmission and tradition of martial arts in Europe (14th–17th centuries) (pp. 481–546). Leiden-Boston, Netherlands: Brill.
]Search in Google Scholar
[
Farrell, K. (2017). The Kölner Fechtbuch: Context and comparison. Acta Periodica Duellatorum, 7(1), 203–235.10.36950/apd-2015-007
]Search in Google Scholar
[
Fior di Battaglia (n.d.). In Wiktenauer (C. Hatcher, Trans.). Retrieved from https://wiktenauer.com/wiki/Fior_di_Battaglia_(MS_Ludwig_XV_13). (Accessed January 4, 2020)
]Search in Google Scholar
[
Heider, F. (1959). Thing and medium. On perception and event structure, and the psychological environment. Psychological Issues, 1(Monograph 3), 1–34.
]Search in Google Scholar
[
Hils, H.-P. (1985). Meister Johann Liechtenauer Kunst des Fechtens. Frankfurt-am-Main, Germany: Peter Lang.
]Search in Google Scholar
[
Isaac, A. M. C. (2019). The allegory of isomorphism. AVANT – Trends in Interdisciplinary Studies, 10(2), doi: 10.26913/avant.2019.02.0510.26913/avant.2019.02.05
]Search in Google Scholar
[
Jaquet, D. (2016). Experimenting historical European martial arts, a scientific method? In D. Jaquet, K. Verelst, T. Dawson (Eds.), Late medieval and early modern fight books. Transmission and tradition of martial arts in Europe (14th–17th centuries) (pp. 216–243). Leiden-Boston, Netherlands: Brill.
]Search in Google Scholar
[
Kleinau, J. P. (2016). Visualised motion: Iconography of medieval and renaissance fencing books. In D. Jaquet, K. Verelst, T. Dawson (Eds.), Late medieval and early modern fight books. Transmission and tradition of martial arts in Europe (14th–17th centuries) (pp. 88–116). Leiden-Boston, Netherlands: Brill.
]Search in Google Scholar
[
Köhler, W. (1938). The place of value in the world of facts. New York, NY: Liveright.
]Search in Google Scholar
[
Ławrynowicz, O., & Nowakowski, P. A. (2009). Stove tiles as a source of knowledge about mediaeval and early modern arms and armour. Studies in Post-Medieval Archaeology, 3, 303–316.
]Search in Google Scholar
[
Lehar, S. (1999). Gestalt isomorphism and the quantification of spatial perception. Gestalt Theory, 21, 122–139.
]Search in Google Scholar
[
Löwgren, J., & Stolterman, E. (2004). Thoughtful interaction design: A design perspective on information technology. Cambridge, MA: MIT Press.
]Search in Google Scholar
[
Paulus Hector Mair (n.d.). In Wiktenauer (K. P. Myers & P. M. Haaland, Trans.). Retrieved from https://wiktenauer.com/wiki/Paulus_Hector_Mair. (Accessed January 4, 2020).
]Search in Google Scholar
[
Paulus Kal (n.d.). In Wiktenauer (C. Winslow, Trans.). Retrieved from https://wiktenauer.com/wiki/Paulus_Kal. (Accessed January 4, 2020).
]Search in Google Scholar
[
Spatz, B. (2015). What a body can do. Technique as knowledge, practice as research. London, UK: Routledge.10.4324/9781315722344
]Search in Google Scholar
[
Spelke, E. S. (1990). Principles of object perception. Cognitive Science, 14(1), 29–56.10.1207/s15516709cog1401_3
]Search in Google Scholar
[
Spotlight. A Taste of TEFAF Maastricht (2018). Retrieved from https://guenther-rarebooks.com/usr/documents/spotlights/document_url/49/spotlight-taste-of-tefaf-2018-miniatures.pdf
]Search in Google Scholar
[
Steinman, R. M., Pizlo, Z., & Pizlo, F. J. (2000). Phi is not beta, and why Wertheimer’s discovery launched the Gestalt revolution. Vision Research, 40(17), 2257–2264.10.1016/S0042-6989(00)00086-9
]Search in Google Scholar
[
Tilley, C. (2014). Material culture and text: the art of ambiguity. London, UK: Routledge.10.4324/9781315746883
]Search in Google Scholar
[
Tobler, C. H. (2006). In service of the duke: The 15th century fighting treatise of Paulus Kal. Highland Village, TX: Chivalry Bookshelf.
]Search in Google Scholar
[
Tobolka, M. (2016). Paulus Hector Mair (ca 1517–1579). Studia Historica Nitriensia, 20(2), 525–530.10.17846/SHN.2016.20.2.525-530
]Search in Google Scholar
[
Ventrone, P. (1991). On the use of figurative art as a source for the study of medieval pectacles. Comparative Drama, 25(1), 4–16.10.1353/cdr.1991.0014
]Search in Google Scholar
[
Welle, R. (1993). “…und wisse das alle höbischeit kompt von deme ringen”. Der Ringkampf als adelige Kunst im 15. Und 16. Jahrhundert. Eine sozialhistorische und bewegungsbiographische Interpretation aufgrund der Handschriften und gedruckten Ringlehren des Spätmittelalters. Forum für Sozialgeschichte, 4, 243–253.
]Search in Google Scholar
[
Żygulski, Z. (1984). Armour as a symbolic form. Waffen und Kostümkunde, 26, 77–96.
]Search in Google Scholar