Empathy in Modern Drama: Bertolt Brecht’s Threepenny Opera

Brecht, B. (2010). Trommeln in der Nacht. Komödie. 19. Auflage. Frankfurt am Main: Suhrkamp (Original work published 1923).Search in Google Scholar

Brecht, B. (2002). Die Dreigroschen Oper (L’opera da tre soldi, E. Castellani Trans.). Torino: Einaudi. (Original work published 1928).Search in Google Scholar

Brecht, B. (1948). A short Organum for the theatre. Retrieved from tenstakonsthall.se/uploads/139-Brecht_A_Short_Organum_for_the_Theatre.pdf [16.01.2019].Search in Google Scholar

Brecht, B. (1964). Brecht on theatre. The development of an aesthetic. New York, NY: Farrar, Straus and Giroux.Search in Google Scholar

Calvo-Merino, B., Glaser, D. E., Grezes, J., Passingham, R. E., & Haggard, P. (2005). Action observation and acquired motor skills: an fMRI study with expert dancers. Cerebral Cortex, 15, 1243–1249.10.1093/cercor/bhi00715616133Search in Google Scholar

Chen, J. L., Penhune, V. B., & Zatorre, R. J. (2008). Listening to musical rhythms recruits motor regions of the brain. Cerebral Cortex, 18, 2844–2854.10.1093/cercor/bhn04218388350Search in Google Scholar

Chismar, D. (1988). Empathy and sympathy. The important difference. The Journal of Value Inquiry, 22, 257–266.10.1007/BF00136928Search in Google Scholar

Damasio, A. (2000). The feeling of what happens. Body and emotion in the making of consciousness. Wilmington, DE: Mariner Books.Search in Google Scholar

Ewen, F. (1970). Bertolt Brecht. La vita, l’opera, i tempi. (A. D’Anna Trans.). Milano: Feltrinelli.Search in Google Scholar

Fadiga, L., Craighero, L., Buccino, G., & Rizzolatti, G. (2002). Speech listening specifically modulates the excitability of tongue muscles: a TMS study. European Journal of Neuroscience, 15, 399–402.10.1046/j.0953-816x.2001.01874.x11849307Search in Google Scholar

Falletti, C. (2004). Neuroscienze cognitive e teatro, Un master europeo di studi sull’attore. Biblioteca teatrale, 71-72, 1–5.Search in Google Scholar

Freedberg, D., & Gallese, V. (2008). Movimento, emozione, empatia. I fenomeni che si producono a livello corporeo osservando le opere d’arte. Prometeo, 103, 52–59.Search in Google Scholar

Fogliani, T. M. (2003). Empatia ed emozioni. Catania, Italy: C.U.E.C.M.Search in Google Scholar

Gallese, V. (2001). The ‘shared manifold’ hypothesis: From mirror neurons to empathy. Journal of Consciousness Studies, 8, 33–50.Search in Google Scholar

Gallese, V. (2003). The roots of empathy: The shared manifold hypothesis and the neural basis of intersubjectivity. Psychopathology, 36, 171–180.10.1159/00007278614504450Search in Google Scholar

Gallese, V. (2007). Dai neuroni specchio alla consonanza intenzionale. Meccanismi neurofisiologici dell’inter-soggettività. Rivista di Psicoanalisi, LIII, 197–208.Search in Google Scholar

Gallese, V. (2008). Il corpo teatrale: mimetismo, neuroni specchio, simulazione incarnata. Culture Teatrali, 16, 13–38.Search in Google Scholar

Gallese, V. (2010). Corpo e azione nell’esperienza estetica. Una prospettiva neuroscientifica. In U. Morelli (Ed.), Mente e Bellezza. Arte creatività e innovazione (pp. 245–262). Torino, Italy: Allemandi.Search in Google Scholar

Gallese, V., & Caruana, F. (2016). Embodied simulation: Beyond the expression/experience dualism of emotions. Trends in Cognitive Sciences, 20(6), 397–398. doi:10.1016/j.tics.2016.03.01010.1016/j.tics.2016.03.01027101879Search in Google Scholar

Gordon, C. L., Cobb, P. R., & Balasubramaniam, R. (2018). Recruitment of the motor system during music listening: An ALE meta-analysis of fMRI data. Plos One, 13(11), doi:10.1371/journal.pone.0207213.10.1371/journal.pone.0207213624231630452442Search in Google Scholar

Iacoboni, M. (2008). I neuroni specchio. Come capiamo ciò che fanno gli altri. Torino, Italy: Bollati Boringhieri.Search in Google Scholar

Iacoboni, M. (2008a). The role of premotor cortex in speech perception: Evidence from fMRI and rTMS. Journal of Physiology-Paris, 102(1–3), 31–34.10.1016/j.jphysparis.2008.03.00318440208Search in Google Scholar

Kawasaki, H., Kaufman, O., Damasio, H., Damasio, A. R., Granner, M., Bakken, H., … Adolphs, R. (2001). Single-neuron responses to emotional visual stimuli recorded in human ventral prefrontal cortex. Nature Neuroscience, 4, 5–16.10.1038/8285011135639Search in Google Scholar

Lipps, T. (1903). Ästhetik. Psychologie des Schönen und der Kunst. Hamburg/Leipzig, Germany: Voss.Search in Google Scholar

Maffei, L., & Fiorentini, A. (1995). Arte e cervello. Bologna, Italy: Zanichelli.Search in Google Scholar

Pereira, C. L., Texteira, J., Figurerido, P., Xavier, G., Castro, S. L., & Brattico, E. (2011). Music and emotion in the brain: familiarity matters. Plos One, 6(11), doi:10.1371/journal.pone.0027241.10.1371/journal.pone.0027241321796322110619Search in Google Scholar

Salimpoor, V. N., Benovoy, M., Longo, G., Cooperstock, J. R., & Zatorre, R. J. (2009). The rewarding aspects of music listening are related to degree of emotional arousal. Plos One, 4, 1–14.10.1371/journal.pone.0007487Search in Google Scholar

Vigliero, C. (2002). Introduzione a L’Opera da tre soldi, in B. Brecht, Die Dreigroschen Oper (L’opera da tre soldi, E. Castellani Trans.). Torino: Einaudi. (Original work published 1928), V–XXII.Search in Google Scholar

Vischer, R. (1873). Über das optische Formgefühl – ein Beitrag zur Ästhetik. Leipzig, Italy: Hermann Credner.Search in Google Scholar

Warren, J. E., Sauter, D. A., Eisner, F., Wiland, J., Dresner, M. A., Wise, R. J. S., … Scott, S. K. (2006). Positive emotions preferentially engage an auditory–motor “mirror” system. Journal of Neuroscience, 26(50), 13067–13075. doi:10.1523/JNEUROSCI.3907-06.2006.10.1523/JNEUROSCI.3907-06.2006Search in Google Scholar

Wicker, C., Keysers, C., Plailly, J., Royet, J. P., Gallese, V., & Rizzolatti, G. (2003). Both of us disgusted in insula: The common neural basis of seeing and feeling disgust. Neuron, 40, 655–664.10.1016/S0896-6273(03)00679-2Search in Google Scholar

Wilson, S. M., Saygin, A. P., Sereno, M. I., & Iacoboni, M. (2004). Listening to speech activates motor areas involved in speech production. Nature Neuroscience, 7, 701–702.10.1038/nn126315184903Search in Google Scholar

Wispé, L. (1986). The distinction between sympathy and empathy: To call forth a concept, a word is needed. Journal of Personality and Social Psychology, 50(2), 314–321. doi:10.1037/0022-3514.50.2.31410.1037/0022-3514.50.2.314Search in Google Scholar

Zeki, S. (1999). The inner vision. Oxford, England: Oxford University Press.Search in Google Scholar