<abstract xmlns="http://www.w3.org/1999/xhtml"><p>Philip K. Dick’s <italic>Do Androids Dream of Electric Sheep?</italic> (1968) and Jeanette Winterson’s <italic>The Stone Gods</italic> (2007) manifest an environmentalist awareness of the increasingly destructive power of human technologies while challenging the prevalent models we employ to think about the planet as well as its human and non-human inhabitants. Both novels probe what it means to be human in a universe plagued by entropy in the era of the Anthropocene. For the purposes of this essay, I will concentrate particularly on Dick’s and Winterson’s portrayals of the dystopian city as a site of interconnections and transformations against a backdrop of encroaching entropy and impending doom. Drawing on the work of several (critical) posthumanists who are primarily interested in dissolving oppositions such as between nature/culture, biology/technology, I show how the displacement of the centrality of human agency due to the intrusive nature of advanced technology is happening in the broader context of the Anthropocene. I also argue that the dystopian cityscapes envisioned in both novels become places that allow for the possibility of new forms of subjectivity to emerge.</p></abstract>

Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968) and Jeanette Winterson’s The Stone Gods (2007) manifest an environmentalist awareness of the increasingly destructive power of human technologies while challenging the prevalent models we employ to think about the planet as well as its human and non-human inhabitants. Both novels probe what it means to be human in a universe plagued by entropy in the era of the Anthropocene. For the purposes of this essay, I will concentrate particularly on Dick’s and Winterson’s portrayals of the dystopian city as a site of interconnections and transformations against a backdrop of encroaching entropy and impending doom. Drawing on the work of several (critical) posthumanists who are primarily interested in dissolving oppositions such as between nature/culture, biology/technology, I show how the displacement of the centrality of human agency due to the intrusive nature of advanced technology is happening in the broader context of the Anthropocene. I also argue that the dystopian cityscapes envisioned in both novels become places that allow for the possibility of new forms of subjectivity to emerge.

Welcome to the Desert of the Anthropocene: Dystopian Cityscapes in (Post)Apocalyptic Science Fiction

American, British and Canadian Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968) and Jeanette Winterson’s The Stone Gods (2007) manifest an environmentalist awareness of the...

Welcome to the Desert of the Anthropocene: Dystopian Cityscapes in (Post)Apocalyptic Science Fiction

Online veröffentlicht: 19. Juni 2018

Seitenbereich: 171 - 193

DOI: https://doi.org/10.2478/abcsj-2018-0010

Schlüsselwörter
Anthropocene, post-apocalypse, city, android, science fiction, dystopia, posthumanism, environmentalism, Philip K. Dick, Jeanette Winterson

© 2018 ABC Studies, Journal of the Academic Anglophone Society of Romania, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Welcome to the Desert of the Anthropocene: Dystopian Cityscapes in (Post)Apocalyptic Science Fiction

Online veröffentlicht: 19. Juni 2018

Seitenbereich: 171 - 193

DOI: https://doi.org/10.2478/abcsj-2018-0010

SchlüsselwörterAnthropocene, post-apocalypse, city, android, science fiction, dystopia, posthumanism, environmentalism, Philip K. Dick, Jeanette Winterson

© 2018 ABC Studies, Journal of the Academic Anglophone Society of Romania, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Schlüsselwörter
Anthropocene, post-apocalypse, city, android, science fiction, dystopia, posthumanism, environmentalism, Philip K. Dick, Jeanette Winterson