<abstract xmlns="http://www.w3.org/1999/xhtml"><p> The article discusses the cinematic representations of the post-Soviet individual in two internationally acclaimed Nordic films, namely, Aki Kaurismäki’s Take Care of Your Scarf, Tatiana (Pidä huivista kiinni, Tatjana, Finland/Germany, 1994) and Lukas Moodysson’s Lilya 4-Ever (Lilja 4-ever, Sweden/Denmark, 2002). The guiding premise is that the films represent cross-cultural inquiries on identity and otherness that reflect and challenge the (male) gaze of the West European North upon the (female) post-Soviet East soon after the collapse of the communist regimes in Eastern Europe.</p></abstract>

The article discusses the cinematic representations of the post-Soviet individual in two internationally acclaimed Nordic films, namely, Aki Kaurismäki’s Take Care of Your Scarf, Tatiana (Pidä huivista kiinni, Tatjana, Finland/Germany, 1994) and Lukas Moodysson’s Lilya 4-Ever (Lilja 4-ever, Sweden/Denmark, 2002). The guiding premise is that the films represent cross-cultural inquiries on identity and otherness that reflect and challenge the (male) gaze of the West European North upon the (female) post-Soviet East soon after the collapse of the communist regimes in Eastern Europe.

Take Care of Your Scar(f), Lilya! De-stigmatizing the Image of the Post-Soviet Other in Nordic Cinema

Baltic Screen Media Review

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

The article discusses the cinematic representations of the post-Soviet individual in two internationally acclaimed Nordic films, namely, Aki Kaurismäki’s Take...

Take Care of Your Scar(f), Lilya! De-stigmatizing the Image of the Post-Soviet Other in Nordic Cinema

Article Category: ARTICLES

Online veröffentlicht: 05. Dez. 2015

Seitenbereich: 36 - 53

DOI: https://doi.org/10.1515/bsmr-2015-0014

© 2015

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.