Open Access

Writing In/Difference to the M/Other: Kusama Yayoi’s Prose as Proto-Feminist Agency

   | Dec 05, 2018

Cite

Borggreen, Gunhild. “The Myth of the Mad Artist: Works and Writings by Kusama Yayoi.” In Copenhagen Journal of Asian Studies, 15, 2001, pp. 10-4610.22439/cjas.v15i1.2126Search in Google Scholar

Borggreen, Gunhild. “Gender in Contemporary Japanese Art.” In Gender and Power in the Japanese Visual Field, edited by Joshua S. Mostow, Norman Bryson, and Maribeth Graybill. Honolulu: The University of Hawai’i Press, 2003, pp. 179-20010.1515/9780824841577-012Search in Google Scholar

Bullock, Sandra. The Other Women’s Lib: Gender and Body in Japanese Women’s Fiction. Honolulu: University of Hawai’i Press, 201010.21313/hawaii/9780824833879.001.0001Search in Google Scholar

Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. London and New York: Routledge, 1990Search in Google Scholar

Butler, Judith. Bodies that Matter: On the Discursive Limits of “Sex”. London and New York: Routledge, 1993Search in Google Scholar

Butler, Judith. “Conscience Doth Make Subjects of Us All.” In Yale French Studies, 88, 1995, pp. 6-2610.2307/2930099Search in Google Scholar

Cixous, Hélène. “The Laugh of the Medusa.” Translated by Keith Cohen et al. In Signs 1/4, 1976, pp. 875-89310.1086/493306Search in Google Scholar

Creed, Barabara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London and New York: Routledge, 1993Search in Google Scholar

Cremer, Jan. “On the Cover: My Flower Bed (Painted Cloth) by Kusama.” In Art Voices 4/4, 1965Search in Google Scholar

Dawsey, Jill Christina. “The Uses of Sidewalks: Women, Art, and Urban Space 1966-1980.” Ph.D. diss., Stanford University, 2009Search in Google Scholar

Fink, Bruce. The Lacanian Subject: Between Language and Jouissance. Princeton: Princeton University Press, 199610.1515/9781400885671Search in Google Scholar

Freud, Sigmund. “Das Medusenhaupt.” In Gesammelte Werke, Vol. 17, edited by Anna Freud. Frankfurt a. Main: Fischer, 1941, pp. 47-48Search in Google Scholar

Friis-Hansen, Dana. “Yayoi Kusama’s Feminism.” In ART+TEXT, 49, 1994, pp. 48-55Search in Google Scholar

Godzik, Maren. Avantgarde Männersache? Künstlerinnen im Japan der 50er und 60er Jahre des 20. Jahrhunderts. München: Iudicum, 2006Search in Google Scholar

Hayashi, Yōko 林洋子. “Kusama Yayoi - Kaku koto ni tsukareta ‘sōsaku no shūjin’” 草間彌生―書くことに憑かれた『創作の囚人』 [Kusama Yayoi: A Prisoner of her Creativity]. In Aube Hikaku geijutsu オーブ比較芸術学 [Aube - Comparative Art], 3, 2007, pp. 131-141Search in Google Scholar

Hashizume, Shin’ya 橋爪神也. Modanizumu no nippon モダニズムの日本 [Modernism’s Japan]. Tōkyō 東京: Kadokawa Gakugei Shuppan 角川学芸出版, 2006Search in Google Scholar

Irigaray, Luce. Speculum of the Other Woman. New York: Cornell University Press, 1985Search in Google Scholar

Ishii, Anne, Chip Kidd, and Graham Kolbeins, eds. Massive: Gay Erotic Manga and The Men Who Make It. Seattle: Fantagrafic Books, 2014Search in Google Scholar

Karia, Bhupendra. “Biographical Notes.” In YAYOI KUSAMA: A Retrospective, edited by Bhupendra Karia. New York: Center for International Contemporary Arts, 1989, pp. 67-105Search in Google Scholar

Kofman, Sarah. “A Feminist Reading of Freud’s Medusa.” In The Medusa Reader, edited by Marjorie Garber. London and New York: Routledge, 2003, pp. 165-167Search in Google Scholar

Kuroda, Raiji 黒ダライ児. Nikutai no Anākizumu. 1960 nen-dai nihon-bijutsu ni okeru pafōmansu no chikasuimyaku 肉体のアナーキズム1960 年代・日本美術におけるパフォーマンスの地下 水脈 [Anarchy of the Body: Undercurrents of Performance Art in 1960s Japan], Tōkyō 東京: Guramu bukkusu グラムブックス, 2010Search in Google Scholar

Kusama, Yayoi 草間彌生. “Mina-san, panti o nugisutemashō” 皆さん、パンティを脱ぎ捨てましょ う [Ladies, Let’s Burn our Panties]. In Josei sebun 女性セブン [Woman’s Weekly], 1 (April), 1970, pp. 44-45Search in Google Scholar

Kusama, Yayoi 草間彌生. “Waga tamashī no henreki to tatakai” わが魂の遍歴と闘い [Odyssey of My Struggling Soul]. In Geijutsu Seikatsu 芸術生活 [Art Life], 11, 1975Search in Google Scholar

Kusama, Yayoi 草間彌生. Manhattan jisatsu misui jōshūhan マンハッタン自殺未遂常習犯 [Manhattan Suicide Addict]. Tōkyō 東京: Kōsakusha 工作舎, 1978Search in Google Scholar

Kusama, Yayoi 草間彌生. “Kurisutofā danshō kutsu” クリストファー男娼窟 [The Hustler’s Grotto of Christopher Street]. In Kurisutofā danshō kutsu クリストファー男娼窟, edited by Kusama Yayoi. Tōkyō 東京: Juritsu Shobō 而立書房, 1989a, pp. 5-84Search in Google Scholar

Kusama, Yayoi 草間彌生. “Rijin kāten no shūjin” 離人カーテンの囚人 [Prisoner of the Curtains of Depersonalisation]. In Kurisutofā danshō kutsu クリストファー男娼, edited by Kusama Yayoi. Tōkyō 東京: Juritsu Shobō 而立書房, 1989b, pp. 87-180Search in Google Scholar

Kusama, Yayoi. The Hustler’s Grotto: Three Novellas. Translated by Ralph McCarthy. Berkeley: Wandering Mind Books, 1998Search in Google Scholar

Kusama, Yayoi. Infinity Net: The Autobiography of Yayoi Kusama. Translated by Ralph McCarthy. London: Tate Publishing, 201110.7208/chicago/9780226465005.001.0001Search in Google Scholar

Lacan, Jacques. Ecrits: A Selection. Translated by Alan Sheridan. New York: W.W. Norton, 1977Search in Google Scholar

Lacan, Jacques. Le Sèminaire: Livre XVII, L’envers de la psychoanalyse. Paris: Seuil, 1991Search in Google Scholar

Munroe, Alexandra. “Obsession, Fantasy and Outrage: The Art of Yayoi Kusama.” In YAYOI KUSAMA: A Retrospective, edited by Bhupendra Karia. New York: Center for International Contemporary Arts, 1989, pp. 11-35Search in Google Scholar

Munroe, Alexandra. “Between Heaven and Earth: The Literary Art of Yayoi Kusama.” In Love Forever: Yayoi Kusama, 1958-1968, edited by Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1998, pp. 70-85Search in Google Scholar

Nixon, Mignon. “Infinity Politics.” In Yayoi Kusama, edited by Frances Morris. Tate Modern: London, 2012, pp. 176-185Search in Google Scholar

Nochlin, Linda. “Why Have There Been No Great Women Artists.” In Women, Art and Power and Other Essays, edited by Linda Nochlin. New York: Harper and Row, 1988, pp. 147-158Search in Google Scholar

Pollock, Griselda. Vision and Difference: Feminism, Femininity and the Histories of Art. London and New York: Routledge, 1988Search in Google Scholar

Pollock, Griselda. “Three Thoughts on Femininity, Creativity and Elapsed Time.” In Parkett, 59, 2000, pp. 107-113Search in Google Scholar

Riviere, Joan. “Womanliness as Masquerade.” In International Journal of Psychoanalysis, 1, 1929, pp. 303-313Search in Google Scholar

Seki, Naoko 関直子. “Kusama Yayoi no nihon ni okeru sōsaku ni tsuite” 草間彌生の日本に おける創作について [On Kusama Yayoi’s Artistic Production in Japan]. In In Full Bloom: Yayoi Kusama, Years in Japan, edited by Tōkyō-to gendai bijutsukan 東京都現代美術館, Tōkyō 東京: Tōkyō-to gendai bijutsukan 東京都現代美術館, 1999, pp. 6-21Search in Google Scholar

Tatehata, Akira 建畠哲. “Sōrei naru obusesshon” 壮麗なるオブセッション [Magnificent Obsessions]. In Toi naki kaitō 問いなき回答 [Answers Without Questions], edited by Tatehata Akira 建畠哲. Tōkyo 東京: Gōryū sho’in 五柳書院, 1998a, pp. 184-192Search in Google Scholar

Tatehata, Akira. “Kusama as Autonomous Surrealist.” In Love Forever: Yayoi Kusama, 1958- 1968, edited by Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1998b, p. 61-69Search in Google Scholar

Tomī, Reiko. “Shikaku geijutsu hyōshō toshite no aidentiti” 視覚芸術表象としてのアイデンティテ ィ [Identity as Visual Representation]. In Art Communications アートコム/現代美術の投稿雑誌, 6, 1997, pp. 12-23Search in Google Scholar

Tyler, Carol-Ann. Female Impersonation. London and New York: Routledge, 2003Search in Google Scholar

Valente, Joe. “Lacan’s Marxism, Marxism’s Lacan (From Žižek to Althusser).” In The Cambridge Companion to Lacan, edited by Jean-Michel Rabaté. Cambridge: Cambridge University Press, 2003, pp. 153-17210.1017/CCOL0521807441.009Search in Google Scholar

Walker, Barbara. The Woman’s Encyclopedia of Myths and Secrets. San Francisco: Harper One, 1983Search in Google Scholar

Watanabe, Reiko 渡辺レイ子. “Dokyumento Kusama Yayoi” ドキュメント草間彌生 [Documenting Kusama Yayoi]. In Bijutsu techō 美術手帖 [Art Notes], 45/671, 1993, pp. 80-113Search in Google Scholar

Würrer, Stefan. “Ten to ten no aida no ‘onna’ - Kusama Yayoi no geijutsuteki katsudō ni okeru ‘joseisei’ o meguru kōshō” 点と点の間の〈女〉― 草間彌生の芸術的活動における〈女性性〉をめぐる交渉 [The Women in between the Dots: On the Negotiations of Femininity in the Artistic Practice of Kusama Yayoi]. M.A. thesis, The University of Tōkyō, 2015aSearch in Google Scholar

Würrer, Stefan. “The Woman Behind the Dots: On Kusama Yayoi’s Literary Work.” In Kusama Yayoi: I Uendeligheden [Kusama Yayoi: Infinity], edited by The Louisiana Museum of Modern Art. Copenhagen: The Louisiana Museum of Modern Art, 2015b, pp. 74-79Search in Google Scholar

Yoshimoto, Midori. Into Performance: Japanese Women Artists in New York. New Brunswick: Rutgers University Press, 2005Search in Google Scholar

Zelevansky, Lynn. “Driving Image: Yayoi Kusama in New York.” In Love Forever: Yayoi Kusama, 1958-1968, edited by Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1999, pp. 10-41.Search in Google Scholar

eISSN:
2521-7038
Language:
English
Publication timeframe:
Volume Open
Journal Subjects:
Cultural Studies, General Cultural Studies, Literary Studies, general, Social Sciences, other