[Barnett, C. 1997. ‘A Prison of Object Relations: Adrienne Kennedy’s Funny house of a Negro’ in Modern Drama 40. 3 Fall, Bollobás, E. 2010. ‘They Aren’t, Until I Call Them’: Performing the Subject in American literature. Frankfurt. Main: Peter Lang.10.3138/md.40.3.374]Search in Google Scholar
[Boucher, G. 2006. ‘Fractured Identity and Agency and the Plays of Adrienne Kennedy’ in Feminist Review - Postcolonial Theatres. [Online]. Available: http://www.jstor.org/stable/30232741 [2011, January 6]]Search in Google Scholar
[Douglas, S. J. 1995. Where the Girls Are: Growing Up Female with the Mass Media. New York: Three Rivers Press Curb, R. K. 1980. ‘Fragmented Selves in Adrienne Kennedy’s Funny house of a Negro and The Owl Answers’ in Theatre Journal [Online]. Available: http://www.jstor.org/stable/3207111 . [2011, January 6]]Search in Google Scholar
[Geis, D. R. 1992. ‘A Spectator Watching My Life: Adrienne Kennedy’s A Movie Star Has to Star in Black and White’ in P. K. Bryant-Jackson and L. More Overbeck (eds). Intersecting Boundaries: The Theatre of Adrienne Kennedy Minneapolis. University of Minnesota Press.]Search in Google Scholar
[Gilbert, S. M.; Gubar, S. 1979. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven, Connecticut. Yale University Press.]Search in Google Scholar
[Kennedy A. 1987. People Who Led to My Plays. New York: Knopf Inc.]Search in Google Scholar
[Kennedy A. 2001. Funnyhouse of a Negro in W. Sollors (ed.). The Adrienne Kennedy Reader. Minneapolis. University of Minnesota Press, ---. 2001. A Movie Star Has to Star in Black and White in W. Sollors (ed.). The Adrienne Kennedy Reader. Minneapolis. University of Minnesota Press,]Search in Google Scholar
[---. 2001. The Owl Answers in W. Sollors (ed.). The Adrienne Kennedy Reader. Minneapolis. University of Minnesota Press,]Search in Google Scholar
[---. 2001. Lesson in Dead Language in W. Sollors (ed.). The Adrienne Kennedy Reader. Minneapolis. University of Minnesota Press.]Search in Google Scholar
[Bell Hooks. 1994. ‘Introduction’ in S. Mahone (ed). Moon Marked and Touched by Sun:Plays by African-American Women. New York. Theatre Communications Group.]Search in Google Scholar
[Patsalidis, S. 1995. ‘Adrienne Kennedy’s heterotopias and the (Im)possibilities of the (Black) Female Self ‘ in M. Maufort (ed.). Staging Difference Cultural Pluralism in American Theatre and Drama. New York: Peter Lang Publishing Inc.]Search in Google Scholar
[Schrooder, P. R. 1995. ‘American Drama, Feminist Discourse, and Dramatic Form: A Defense of Critical Pluralism’ in K. Laughlin and C. Schuler (eds.). Theatre and Feminist Aesthetics. London: Associate University Press.]Search in Google Scholar
[Williams, A. D. 1989. ‘Introduction’ in D. A. Williams (ed.). Contemporary African American FemalePlaywrights: An Annotated Bibliography. Westport, Connecticut: Greenwood Press. ]Search in Google Scholar