Open Access

Nietzsche and Cinema: Cinematography as an Expression of Unity between Apollonian and Dionysian Impulses

   | Dec 15, 2023

Cite

Aumont, Jacques, A. Bergala, M. Marie, M. Vernet, eds. Aesthetics of Film. Austin: University of Texas Press, 1994.Search in Google Scholar

Bazin, André. What is Cinema? vol. 1. Berkeley: University of California Press. 2005.Search in Google Scholar

Blankier, Margot.“A Very Serious Problem with the People Taking Care of the Place’: Duality and the Dionysian Aspect in Stanley Kubrick’s The Shining.” The Irish Journal of Gothic and Horror Studies 13, (2014): 3-17Search in Google Scholar

Bordwell, David, and Kristin Thompson. Film Art: An Introduction. New York: McGraw-Hill. 2008.Search in Google Scholar

Burch, Noel. Theory of Film Practice. Princeton: Princeton University Press. 1981.Search in Google Scholar

Burnham, Douglas. Nietzsche’s Birth of Tragedy: a reader’s guide. New York: Continuum International Publishing Group. 2010.Search in Google Scholar

Carlevale, John. “The Dionysian Revival in American Fiction of the Sixties.” International Journal of the Classical Tradition 12, no. 3 (2006): 364–391.Search in Google Scholar

Cavell, Stanley, The World Viewed: Reflections on the Ontology of Film, Cambridge: Harvard University Press. 1979.Search in Google Scholar

Corrigan, Timothy, and Patricia White. The Film Experience: An Introduction. Boston: Bedford/St. Martin’s, 2015.Search in Google Scholar

Dankowska, Jagna, „The philosophy of music and tragedy. Nietzsche and Wagner.” Heksis. Accessed November 2, 2023. https://heksis.dezintegracja.pl/en/ the-philosophy-of-music-and-tragedy-nietzsche-and-wagner.Search in Google Scholar

Hendricks, Scotty, “What Nietzsche really meant: The Apollonian and Dionysian.” BigThink. Accessed November 5, 2023. https://bigthink.com/scotty-hen-dricks/what-nietzsche-really-meant-the-apollonian-anddionysian.Search in Google Scholar

Kaufmann, Walter. Nietzsche: Philosopher, Psychologist, Antichrist. New York: Meridian Books. 1956.Search in Google Scholar

Lukasiewicz, D. Tracie. “The Parallelism of the Fantastic and the Real: Guillermo del Toro’s Pan’s Labyrinth/El Laberinto del fauno and Neomagical Realism,” in Fairy Tale Films: Visions of Ambiguity, edited by P. Greenhill, S. E. Matrix, 60-78. Colorado: University of Colorado Press. 2010.Search in Google Scholar

Luyster, Robert, “Nietzsche/Dionysus: Ecstasy, Heroism, and the Monstrous.” Journal of Nietzsche Studies, no. 21 (2001): 1-26.Search in Google Scholar

Markotic, Lorraine, “A Visual Dionysian: Nietzsche’s Aesthetics and Pan’s Labyrinth,” Comparative and Continental Philosophy 8, no. 2 (2016): 180-198.Search in Google Scholar

Nietzsche, Friedrich. The Birth of Tragedy and other writings. Cambridge: Cambridge University Press, 2007.Search in Google Scholar

Orme, Jennifer, “Narrative Desire and Disobedience in Pan’s Labyrinth”, Marvels & Tales 24, no. 2 (2010): 219-234.Search in Google Scholar

Panofsky, Erwin. “Style and Medium in the Moving Pictures.” in Film, edited by Daniel Talbot, 15-32. New York: Simon and Schuster. 1959.Search in Google Scholar

Posocco, Art. “Apollonian and Dionysian Artistic Impulses in The Lego Movie.” The Artifice, Accessed 28 November, 2023, https://the-artifice.com/thelego-movie-apollonian-dionysian/.Search in Google Scholar

Raymond, Paul. Nietzsche and The Birth of Tragedy. New York: Routledge. 2013.Search in Google Scholar

Thormann, Janet, „Other Pasts: Family Romances of Pan’s Labyrinth,” Psychoanalysis, Culture & Society 2, no. 13 (2008): 175–187.Search in Google Scholar

eISSN:
2601-1182
Languages:
English, German, French