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The Piano’s Sound Apperception in Havasi Balázs’s Compositions, with Some Remarks from Alfred Whitehead and Theodore Ziolkowski

Maria-Roxana Bischin

Maria-Roxana Bischin

| Aug 17, 2019

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Volume 47 (2019): Issue 1 (July 2019)

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Published Online: Aug 17, 2019

Page range: 137 - 148

DOI: https://doi.org/10.2478/saec-2019-0013

Keywords
Havasi Balázs, piano, perception, phenomenology of the music, apperception, conscience, symbolism, classicism

© 2019 Maria-Roxana Bischin, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

eISSN:: 2601-1182
Languages:: English, German, French

Publication timeframe:: 2 times per year
Journal Subjects:: Cultural Studies, Cultural Theory, Media Theory, Literary Studies, general, Philosophy, other, Social Sciences, Communication Science, Health Communication

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