Open Access

Stylistic-Interpretative Statistics of The Creation for Guitar Solo (Preludes no. 1-5) by Heitor Villa Lobos


Cite

1. Danner, P., Spring (1992) The Guitar in Latin-America. A personal view by Carlos Barbosa-Lima as told to Peter Danner, part 1, GFA Soundboard (XIX/1)Search in Google Scholar

2. Dumond, Arnaud et Denis, Francoise E. (1988) Entretiens avec Leo Brouwer, Les Cahiers de La Guitare, trimestrul 4, Premiere rencontre, avec Arnaud DumonSearch in Google Scholar

3. Goldspiel, A., (2000), A New Look at Musical Structure and the Guitar in the Music of Villa-Lobos, GFA Soundboard, FallSearch in Google Scholar

4. Santos, T., (1985), Heitor Villa Lobos and the guitar, originally published by the Museu Villa-Lobos, 1975, first published in English by Wise Owl Music, Gurtnacloona, Bantry, Co.Cork, IrelandSearch in Google Scholar

5. Zvengrowski, S., (1979), Structural Patterns found in Prelude number 4 by Heitor Villa-Lobos, GFA Soundboard, AugustSearch in Google Scholar

6. xxx 1990, Enciclopedia Marilor Maeştrii ai Muzicii, vol.V, Le Livre de Paris – Hachette,Search in Google Scholar

7. en.wikipedia.org/wiki/Musician_WrenSearch in Google Scholar