Open Access

3. Similarities Across the Centuries: A Comparison Between Two Vocal Works by Barbara Strozzi and Peter Maxwell Davies


Cite

1. Arias Enrique Alberto (1999), Reflections from a Cracked Mirror, 137 in Arias Enrique Alberto, Filler Susan M., Porter William V. (1999), A Compendium of American Musicology. Essays in Honor of John F. Ohl, Northwestern University Press, Evanston.Search in Google Scholar

2. Arias Enrique Alberto, Filler Susan M., Porter William V. (1999), A Compendium of American Musicology. Essays in Honor of John F. Ohl, Northwestern University Press, Evanston.Search in Google Scholar

3. Baird Julianne (1997), “Solo Singing 2,” in A Performer’s Guide to Seventeenth-Century Music, ed. Stewart, Carter, Schirmer Books, New YorkSearch in Google Scholar

4. Bartel Dietrich (1997), Musica Poetica: Musical-Rhetorical Figures in German Baroque Music, University of Nebraska Press, Lincoln and London.Search in Google Scholar

5. Beck James H. (2000), Renaissance Art and Architecture, Microsoft Encarta OnlineEncyclopedia, http://autocww.colorado.edu/~toldy3/E64ContentFiles/PeriodsAndStyles/Renaissance.html.Search in Google Scholar

6. Boldt-Irons Leslie, Federici Corrado, Virgulti Ernesto (2009), Disguise, Deception, Trompe-l’oeil. Interdisciplinary Perspectives, Petter Lang Publishing, New York.Search in Google Scholar

7. Brinckmann Albert Erich (1919), Entwicklungsgeschichte der Skulptur in den romanischen und germanischen Ländern seit Michelangelo bis zum 18. Jahrhundert, Akademische Verlagsgesellschaft Athenaion, Berlin, vol I.Search in Google Scholar

8. Brinckmann Albert Erich (1922), Plastik und Raum als Grundform künstlerischer Gestaltung, R. Piper, München.Search in Google Scholar

9. Elliott Martha (2007), Singing in Style: A Guide to Vocal Performance Practices, Yale University Press, New Haven and London.Search in Google Scholar

10. Heller Wendy (1999), ‘Tacitus Incognito: Opera as History in L’incoronazione di Poppea’, Journal of the American Musicological Society, 52(1), 39-96.10.2307/832024Search in Google Scholar

11. Kelly William (2003), Art and Humanist Ideals: Contemporary Perspectives, Macmillan Art Publishing, South Yarra.Search in Google Scholar

12. Luke Timothy W. (1990), Social Theory and Modernity: Critique, Dissent and Revolution, Sage Publications, Newbury Park.10.4135/9781483325538Search in Google Scholar

13. Mercure de France (1734), ‘Lettre de M*** à Mlle*** sur l’origine de la musique’, May 1734, 868-870.Search in Google Scholar

14. Milizia Francesco (1785), Memorie degli Architetti antichi e moderni, Remondini, Venezia, vol 2.Search in Google Scholar

15. Möser Justus (1777), Harlekin oder die Vertheidigung des Groteske- Komischen. Neue verbesserte Aufl. Bremen, bey Johann Heinrich Cramer.Search in Google Scholar

16. Oechslin Werner (2008), Wissensformen, Gta Verlag, Zürich.Search in Google Scholar

17. Picchione John (2009), Baroque Poetry in Italy: deception, Illusion, and Epistemological Shifts, in Boldt-Irons Leslie, Federici Corrado, Virgulti Ernesto (2009), Disguise, Deception, Trompe-l’oeil. Interdisciplinary Perspectives, Petter Lang Publishing, New York.Search in Google Scholar

18. Putnam Emerson Isabelle (2005), Five Centuries of Women Singers, Praeger, Westport and London.Search in Google Scholar

19. Revelation and Fall, Short Note by Paul Griffiths, http://www.maxopus.com/work_detail.aspx?key=200 (accessed on 9 October 2017).Search in Google Scholar

20. Rupprecht Philip (2015), British Musical Modernism: The Manchester Group and their contemporaries, Cambridge University Press, Cambridge.10.1017/CBO9781139033350Search in Google Scholar

21. Sir Peter Maxwell Davies, http://www.maxopus.com/life_career.aspx (accessed on 9 October 2017)Search in Google Scholar

22. Spitzer John and Zaslaw Neal (2004), The Birth of the Orchestra. History of an Institution, 1650-1815, Oxford University Press, New York.Search in Google Scholar

23. Tönnies Ferdinand (2011), Community and Society, Dover Publications, New York.Search in Google Scholar

24. Trevor-Roper Hugh (1967), The Crisis of the Seventeenth century. Religion, the Reformation, and Social Change, Liberty Fund, Indianapolis.Search in Google Scholar

25. Wölfflin Heinrich (1966), Renaissance and Baroque, Cornell University Press, Ithaca.Search in Google Scholar