[Armstrong, Paul B. How Literature Plays with the Brain: The Neuroscience of Reading and Art. Baltimore, MD: Johns Hopkins University Press, 2013. Print.10.1353/book.25266]Search in Google Scholar
[Attebery, Brian. Stories about Stories: Fantasy and the Remaking of Myth. New York, NY: Oxford University Press, 2014. Print.]Search in Google Scholar
[Campbell, Joseph. The Hero With a Thousand Faces. 1949. Commemorative ed. Princeton, NJ: Princeton University Press, 2004. Print.]Search in Google Scholar
[Čipkár, Ivan. “The Cognitive Model of the Vampire and Its Accommodation in the Twentieth Century.” Moravian Journal of Literature and Film, vol. 5, no. 1. 2014: 23–44. Print.]Search in Google Scholar
[Delahay, Matti. Imaginary Things: Modern Myth in Neil Gaiman’s American Gods (2001). 2009. University of Jyväskylä, Master’s thesis.]Search in Google Scholar
[Eliot, T. S. “Ulysses, Order and Myth.” 1923. Selected Prose of T. S. Eliot. Ed. Frank Kermode. New York, NY: Harcourt, 1975. 175–178. Print.]Search in Google Scholar
[Freud, Sigmund. “The Uncanny.” Trans. David McLintock. The Uncanny. New York: Penguin, 2003. Print.]Search in Google Scholar
[Frye, Northrop. Anatomy of Criticism: Four Essays. 1957. Princeton, NJ: Princeton University Press, 2000. Print.]Search in Google Scholar
[Gaiman, Neil. Violent Cases. London: Escape Books, 1987. Print.]Search in Google Scholar
[Gaiman, Neil. with M. John Harrison, Terry Pratchett, Geoff Ryman, and Diana Wynne Jones. “Whose Fantasy?” Hosted by Neil Gaiman. One of a series of events examining British genre fiction. London: Institute of Contemporary Arts. 1988. Web. Accessed 1 June 2018. sounds.bl.uk/Arts-literature-and-performance/ICA-talks/024M-C0095X0364XX-0100V0.]Search in Google Scholar
[Gaiman, Neil. Neverwhere. 1996. London: Headline Review, 2005. Print.]Search in Google Scholar
[Gaiman, Neil. Smoke and Mirrors: Short Fictions and Illusions. London: Headline Review, 1999. Print.]Search in Google Scholar
[Gaiman, Neil. “Neil Gaiman: Man in Black.” Interview. AAR. 12 April 1999. Web. Accessed 1 June 2018. allaboutromance.com/author-interviews/neil-gaiman-interview/.]Search in Google Scholar
[Gaiman, Neil. “A Conversation with Neil Gaiman.” Interview by Claire E. White. The Internet Writing Journal. March 1999. Web. Accessed 1 June 2018. www.writerswrite.com/journal/mar99/a-conversation-with-neil-gaiman-3991.]Search in Google Scholar
[Gaiman, Neil. “Reflections on Myth (with Digressions into Gardening, Comics, and Fairy Tales).” Columbia: A Journal of Literature and Art, vol. 31, winter.1999: 75–84. Print.]Search in Google Scholar
[Gaiman, Neil. American Gods. 2001. London: Headline Review, 2005. Print.]Search in Google Scholar
[Gaiman, Neil. 3 Feb. journal entry. Neil Gaiman’s Journal. 2003. Web. 1 June 2018. journal. neilgaiman.com/2003/02/long-occasionally-frustrating.asp.]Search in Google Scholar
[Gaiman, Neil. Anansi Boys. New York, NY: Morrow, 2005. Print.]Search in Google Scholar
[Gaiman, Neil. Fragile Things: Short Fictions and Wonders. London: Headline Review, 2007. Print.]Search in Google Scholar
[Gaiman, Neil. “Myth, Magic, and the Mind of Neil Gaiman: A Conversation with the Dream King.” Interview by Tim E. Ogline. Wild River Review. 2007. Web. Accessed 1 June 2018. www.wildriverreview.com/columns/pen-world-voices/myth-magic-and-the-mind-of-neil-gaiman/.]Search in Google Scholar
[Gaiman, Neil. Interview by Lisa-Ann Lee. SG Magazine. 20 Nov. 2009. Web. 1 June 2018. sg.asia-city.com/events/article/first-person-neil-gaiman.]Search in Google Scholar
[Gaiman, Neil. “Neil Gaiman’s Opinion on Fanfiction.” Tumblr. 24 April 2012. Web. 1 June 2018. neil-gaiman.tumblr.com/post/21746253134/neil-gaimans-opinion-on-fanfiction.]Search in Google Scholar
[Gaiman, Neil. The Ocean at the End of the Lane. New York, NY: William Morrow, 2013. Print.]Search in Google Scholar
[Gaiman, Neil. A Calendar of Tales. Keep Moving. Internet ad campaign. BlackBerry. Feb. 2013. Web. 1 June 2018. https://crackberry.com/keep-moving-projects]Search in Google Scholar
[Gaiman, Neil. The Sleeper and the Spindle. London: Bloomsbury, 2014. Print.]Search in Google Scholar
[Gaiman, Neil. Trigger Warning: Short Fictions & Disturbances. London: Headline Review, 2015. Print.]Search in Google Scholar
[Gaiman, Neil. “Neil Gaiman at the Douglas Adams Memorial Lecture 2015.” YouTube. Save the Rhino International. 3 March 2015. Web. 1 June 2018. www.youtube.com/watch?v=D8UU-F1Yorg.]Search in Google Scholar
[Gibbons, Alison. “Postmodernism Is Dead. What Comes Next?” The Times Literary Supplement. 12 June 2017. Web. Accessed 1 June 2018. www.the-tls.co.uk/articles/public/postmodernism-dead-comes-next/.]Search in Google Scholar
[Hogan, Patrick Colm. Beauty and Sublimity: A Cognitive Aesthetics of Literature and the Arts. Cambridge: Cambridge University Press, 2016. Print.10.1017/CBO9781316335604]Search in Google Scholar
[Hutcheon, Linda. The Politics of Postmodernism. 2nd ed. London: Routledge, 2002. Print.10.4324/9780203129876]Search in Google Scholar
[Kirby, Alan. “The Death of Postmodernism and Beyond.” Philosophy Now, vol. 58, Nov–Dec, 2006. Web. Accessed 1 June 2018. philosophynow.org/issues/58/The_Death_of_Postmodernism_And_Beyond.]Search in Google Scholar
[Klapcsik, Sandor. Liminality in Fantastic Fiction: A Poststructuralist Approach. Jefferson, NC: McFarland & Co., 2012. Print.]Search in Google Scholar
[Kulka, Tomáš. Umění a kýč. Prague: Torst, 1994. Print.]Search in Google Scholar
[Lukach, Katherine M. Transformative Encounters in the Works of Neil Gaiman. 2007. University of North Carolina, Master’s thesis.]Search in Google Scholar
[Lyotard, Jean-Francois. The Postmodern Condition: A Report on Knowledge. Translated by Geoff Bennington and Brian Massumi. Manchester: Manchester University Press, 1984. Print.10.2307/1772278]Search in Google Scholar
[Onega, Susana. “The Mythical Impulse in British Historiographic Metafiction.” European Journal of English Studies, vol. 1, no. 2. 1997: 184–204. Print.10.1080/13825579708574386]Search in Google Scholar
[Percy, Benjamin. “It All Floods Back: Neil Gaiman’s Ocean at the End of the Lane.” Review. New York Times. 27 June 2013. Web. Accessed 1 June 2018. www.nytimes.com/2013/06/30/books/review/neil-gaimans-ocean-at-the-end-of-the-lane.html.]Search in Google Scholar
[Rauch, Stephen. Neil Gaiman’s The Sandman and Joseph Campbell: In Search of the Modern Myth. Cabin John, MD: Wildside Press, 2003. Print.]Search in Google Scholar
[Schank, Roger C. and Robert P. Abelson. Scripts, Plans, Goals and Understanding: An Inquiry into Human Knowledge Structures. Hillsdale, NJ: Lawrence Erlbaum Associates Publishers, 1977. Print.]Search in Google Scholar
[Tompkins, Jane. Sensational Designs: The Cultural Work of American Fiction 1790-1860. Oxford: Oxford University Press, 1986. Print.]Search in Google Scholar
[Vuust, Peter and Morten Kringelbach. “The Pleasure of Music.” Pleasures of the Brain, Eds. Morten Kringelbach and Kent Berridge. Oxford: Oxford University Press, 2010. 255–269. Print.]Search in Google Scholar
[Widdowson, H. G. Practical Stylistics. Oxford: Oxford University Press, 1992. Print.]Search in Google Scholar
