Open Access

Representation and Immersion. The Embodied Meaning of Literature

Gestalt Theory's Cover Image
Gestalt Theory
What is What? Focus on Transdisciplinary Concepts and Terminology in Neuroaesthetics, Cognition and Poetics / Was ist Was? Transdisziplinäre Konzepte und Terminologien in Neuro-Ästhetik, Kognition und Poetik. Guest Editors: Renata Gambino, Grazia Pulvirenti, Elisabetta Vinci.

Cite

Barsalou, L., Barbey, A. K., Simmons, W. K., & Santos, A. (2005). Embodiment in religious knowledge. Journal of Cognition and Culture, 5(1–2), 14–57.Search in Google Scholar

Barthes, R. (1975). The pleasure of the text. Transl. Richard Miller. New York, NY: Farrar, Straus and Giroux.Search in Google Scholar

Baudrillard, J. (1981). Simulacres et simulation. Paris, France: Galilée.Search in Google Scholar

Boulenger, V., Hauk, O., & Pulvermüller, F. (2009). Grasping ideas with the motor system: Semantic somatotopy in idiom comprehension. Cerebral Cortex, 19, 1905–1914.10.1093/cercor/bhn217Search in Google Scholar

Bloom, K. G. (2003). Ladies reading and writing: Eighteenth-Century women writers and the gendering of critical discourse. Modern Language Studies, 33(1/2), 60–72.Search in Google Scholar

Calvo-Merino, B., Grèzes, J., Glaser, D. E., Passingham, R. E., & Haggard, P. (2006). Seeing or doing? Influence of visual and motor familiarity in action observation. Current Biology, 16, 1905–1910.10.1016/j.cub.2006.07.065Search in Google Scholar

Coleridge, S. T. (2013 [1817]). Biographia Literaria. Project Gutenberg. Retrieved from http://www.gutenberg.org/ebooks/6081.Search in Google Scholar

Curtis, R. (2014). An introduction to Einfühlung. Art in Translation, 6(4), 353–376.10.1080/17561310.2014.11425535Search in Google Scholar

Decety, J., Jeannerod, M., Germain, M., & Pastene, J. (1991). Vegetative response during imagined movement is proportional to mental effort. Behavioral Brain Research, 42(1), 1–5.10.1016/S0166-4328(05)80033-6Search in Google Scholar

Eno, B. (2011). Composers as Gardeners. Edge.org. Retrieved from http://edge.org/conversation/composers-as-gardeners.Search in Google Scholar

Gallese, V., & Lakoff, G. (2005). The Brain’s concepts: The role of the sensory-motor system in conceptual knowledge. Cognitive Neuropsychology, 22(3–4), 455–479.10.1080/0264329044200031021038261Search in Google Scholar

Garbarini, F., & Adenzato, M. (2004). At the root of embodied cognition: Cognitive science meets neurophysiology. Brain and Cognition, 56(1), 100–106.10.1016/j.bandc.2004.06.00315380880Search in Google Scholar

Gass, W. H. (1970). Fiction and the figures of life. New York, NY: Knopf.Search in Google Scholar

Gu, X., & Han, S. (2007). Attention and reality constraints on the neural processes of empathy for pain. NeuroImage, 36(1), 256–267.10.1016/j.neuroimage.2007.02.02517400480Search in Google Scholar

de Heusch, L. (2006). La Transe et ses entours. Bruxelles, Belgium: Éditions Complexe.Search in Google Scholar

Jacobson, E. (1927). Action currents from muscular contractions during conscious processes. Science, 66, 403.Search in Google Scholar

Lipps, Th (1903-1906). Ästhetik. Psychologie des Schönen und der Kunst. Hambourg/Leipzig, Germany: Leopold Voss.Search in Google Scholar

Melzack, R., & Katz, J. (2006). Pain in the 21st century: The neuromatrix and beyond. In G. Young (Ed.), Psychological knowledge in court: Ptsd, pain and Tbi (pp. 129–148). New York, NY: Springer.Search in Google Scholar

Merleau-Ponty, M. (2005 [1945]). Phenomenology of perception, transl. Colin Smith. London, England: Routledge.Search in Google Scholar

Murray, J. (1997). Hamlet on the Holodeck: The future of narrative in cyberspace. Cambridge, MA: MIT Press.Search in Google Scholar

Nietzsche, F. (2010 [1895]). Twilight of the Idols. Transl. W. Kaufmanm & R. J. Hollingdale. Handprint online editions. Retrieved from www.handprint.com.Search in Google Scholar

Rimbaud, A. (1958 [1871]). Lettre à George Izambard – 13 mai 1871. Œuvres (pp. 305–306). Paris, France: Mercure de France.Search in Google Scholar

Shklovsky, V. (2015 [1917]). Art, as Device, transl. Alexandra Berlina. Poetics Today, 36(3), 151–174.10.1215/03335372-3160709Search in Google Scholar

Singer, T., Seymour, B., O’Doherty, J. P., Klaas, E. S., Dolan, R. J., & Frith, C. D. (2006). Empathic neural responses are modulated by the perceived fairness of others. Nature, 439(7075), 466–469.Search in Google Scholar

Sontag, S. (1964). Against interpretation. In Against interpretation and other essays. New York, NY: Delta Books, pp. 3–14.Search in Google Scholar

Tolkien, J. R. R. (1965). Tree and leaf. Boston, MA: Houghton Mifflin Company.Search in Google Scholar

Vischer, R. (1873). Über das optische Formgefühl. Ein Beitrag zur Ästhetik. Leipzig, Germany: Hermann Credner.Search in Google Scholar

Wallace, D. F. (2006 [1996]). Infinifte Jest. New York, NY: Back Bay Books/Little, Brown and Company.Search in Google Scholar

Wittgenstein, L. (2009 [1953]). Philosophical investigations. Chichester, England: Wiley-Blackwell.Search in Google Scholar

Wolfe, C. (2012). Before the law: Humans and other animals in a biopolitical frame. Chicago, IL: University of Chicago Press.10.7208/chicago/9780226922423.001.0001Search in Google Scholar

Woolf, V. (2002 [1926]). On being Ill. Ashfield, MA: Paris Press.Search in Google Scholar

Zeki, S., & Lamb, M. S. (1994). The neurology of kinetic art. Brain: A Journal of Neurology, 117, 607–636.10.1093/brain/117.3.6078032869Search in Google Scholar

Zeki, S. (1999). Art and the brain. Daedalus, 127(2), 71–103.Search in Google Scholar