From Cubes to Ribbons: Transformation of an Illusion

Balmelle, C., Blanchard-Lemée, M., Christophe, J., Darmon, J.-P., Guimier-Sorbets, A.-M., Lavagne, H., Prudhomme, R., & Stern, H. (2002). Le décor géométrique de la mosaïque romaine (2 Vols). Paris, France: Picard.Search in Google Scholar

Burton, H. E. (Trans.). (1945). The optics of Euclid. Journal of the Optical Society of America, 35, 357–372.10.1364/JOSA.35.000357Search in Google Scholar

Dobias, J. J., & Papathomas, T. V. (2014). The role of linear perspective cues on the perceived depth magnitude of the surfaces they are painted on: proper-, reverse-, and flat-perspective paintings. Perception, 43, 989–1000.10.1068/p770525420337Search in Google Scholar

Guimier-Sorbets, A.-M. (1994). Mosaïques et dallages dans le monde grec aux époques classique et hellénistique. In P. Johnson, R. Ling, & D. J. Smith (Eds.), Fifth International Colloquium on Ancient Mosaics. Bath, England 5–12, 1987. Journal of Roman Archaeology Supplement 9.1 (pp. 13–25). Portsmouth, RI: Journal of Roman Archaeology.Search in Google Scholar

Hill, H. C., & Johnston, A. (2007). The hollow-face illusion: Object specific knowledge, general assumptions or properties of the stimulus. Perception, 36(2), 199–223.10.1068/p552317402664Search in Google Scholar

Mazzoleni, D., & Pappalardo, U. (2004). Domus. Wall painting in the Roman house. Los Angeles, CA: Getty Publications.Search in Google Scholar

Minto, A. (1941). Di un motivo decorativo ad opus scutulatum dipinto in una urnetta fittle chiusina. Studi Etruschi, 15, 385–389.Search in Google Scholar

Moorman, E. M., & Swinkels, L. J. F. (1983). Lozenges in perspective. In A. Barbet (Ed.), La peinture murale romaine dans les provinces de l’Empire: [actes des] journées d’étude de Paris, 23–25 septembre 1982. British Archaeological Reports – International Series 165 (pp. 239–262). Oxford, UK: Archaeopress.Search in Google Scholar

Pairault, F.-H. (1972). Recherches sur quelques séries d’urnes de Volterra à représentations mythologiques. Collection de l’École Française de Rome (Vol. 12). Paris, France: Editions de Boccard.Search in Google Scholar

Paris, R., & Di Sarcina, M. T. (2012). Museo Nazionale Romano – Palazzo Massimo alle Terme – I mosaici. Milan, Italy: Mondadori Electa S.p.A.Search in Google Scholar

Price, J. R. (1968). Studies of reversible perspective: a methodological review. Behavior Research Methods & Instrumentation, 1(3), 102–106.10.3758/BF03206959Search in Google Scholar

Todorović, D., (2009). The effect of the observer vantage point on perceived distortions in linear perspective images. Attention, Perception & Psychophysics, 71, 183–193.10.3758/APP.71.1.18319304608Search in Google Scholar

Topper, D. (2000). On anamorphosis: Setting some things straight. Leonardo, 33(2), 115–124.10.1162/002409400552379Search in Google Scholar

Wade, N. J. (2004). Good figures. Perception, 33(2), 127–134.10.1068/p3302ed15109156Search in Google Scholar

Wade, N. J., Campbell, R. N., Ross, H. E., & Lingelbach, B. (2010). Necker in scotch perspective. Perception, 39, 1–4.10.1068/p3901ed20301841Search in Google Scholar