From Dusk till “DAU”: the Rise of Heterotopic Cinema in the Times of Pandemic

Arpin-Simonetti, Lisandro 2014. ‘The Tulse Luper Suitcases : Peter Greenaway et le « database cinema » les dessous de l’avant-gardisme néo-médiatique’. – Hors Champ, 31 December 2014. https://www.horschamp.qc.ca/spip.php?article579 (31 August 2020).Search in Google Scholar

Bruno, Giuliana 2002. Atlas of Emotions: Journeys in Art, Architecture, and Film. New York: Verso.Search in Google Scholar

Burlacu, Mihai 2015. ‘The Zone as Heterotopia in Andrei Tarkovsky’s Stalker’. – Bulletin of the Transilvania University of Braşov 8, 57. http://webbut.unitbv.ro/BU2015/Series%20VII/BULETIN%20I/10_Burlacu.pdf (20 October 2020).Search in Google Scholar

Casetti, Francesco 2015. The Lumière Galaxy. Seven Key Words for the Cinema to Come. New York: Columbia University Press.10.7312/columbia/9780231172431.001.0001Search in Google Scholar

Chung, Hye-jin 2018. Media Heterotopias: Digital Effects and Material Labor in Global Film Production. Durham: Duke University Press.10.1215/9780822372158Search in Google Scholar

Corbett, Claire 2017. ‘Nowhere to run: Repetition compulsion and heterotopia in the Australian post-apocalypse – from ‘Crabs’ to Mad Max’. – Science Fiction Film and Television 10, 3, 329-351.10.3828/sfftv.2017.23Search in Google Scholar

Crary, Jonathan 1992. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. London: MIT Press.Search in Google Scholar

Cronk, Jordan 2020. ‘DAU. Diary & Dialogue. Part One: A Living World’. – CinemaScope 83. https://cinema-scope.com/cinema-scope-magazine/dau-diary-dialogue-part-one-a-living-world/ (31 August 2020).Search in Google Scholar

Dau Cinema 2020. ‘About DAU’. https://www.dau.com/en/about-us (31 August 2020).Search in Google Scholar

Dau Haus 2020a. ‘Comme des Garcons DAU Science Booklet Pamphlet Flyer’. https://www.dau.haus/commedesgarcons-booklet-2018 (31 August 2020).Search in Google Scholar

Dau Haus 2020b. ‘Interview with Jürgen Jürges’. https://www.dau.haus/jurges-interview-2020 (31 August 2020).Search in Google Scholar

Dau Haus 2020c. ‘Media and Art – Prof. Lev Manovich in conversation with Dr. Ohad Landesman’. https://www.dau.haus/manovich-landesman-2020 (31 August 2020).Search in Google Scholar

Dehaene, Michiel; Lieven, De Cauter 2008. Heterotopia and the City: Public Space in a Postcivil Society. New York: Routledge.10.4324/9780203089415Search in Google Scholar

Foucault, Michel [1967] 2008. ‘Of Other Spaces’. – Trans. Lieven De Cauter, Michiel Dehaene (eds.), Heterotopia and the City: Public Space in a Postcivil Society. New York: Routledge, 13-28.Search in Google Scholar

Gershon, Ilana; Malitsky, Joshua 2011. ‘Documentary Studies and Linguistic Anthropology’. – Culture, Theory and Critique, 52, 1, 45-63.10.1080/14735784.2011.621667Search in Google Scholar

Groys, Boris 2008. Art Power. Cambridge: MIT Press. Ivakhiv, Adrian 2011. ‘Cinema of the Not-Yet: The Utopian Promise of Film as Heterotopia’. – Journal for the Study of Religion, Nature and Culture 5, 2, 186-209.10.1558/jsrnc.v5i2.186Search in Google Scholar

Klein, Sascha 2019. ‘A Sealed Rectilinear Planet: The Skyscraper as Vertical Heterot opia in J. G. Ballard’s High-Rise and Ben Wheatley’s Screen Adaptation’. – Space and Culture 1-16.10.1177/1206331218822950Search in Google Scholar

Knight, Kelvin 2017. Real Places and Impossible Spaces: Foucault Hererotopia in the Fiction of James Joyce, Vladimir Nabokov, and W G Sebald. Norwich: University of East Anglia.Search in Google Scholar

Knight, Kelvin 2014. ‘Placeless places: resolving the paradox of Foucault’s heterotopia’. – Textual Practice 31, 1, 141-158.10.1080/0950236X.2016.1156151Search in Google Scholar

Kuhn, Annette 2004. ‘Heterotopia, heterochronia: place and time in cinema memory’. – Screen 45, 2, 106-114.10.1093/screen/45.2.106Search in Google Scholar

Lappo, Georgy; Polian, Pavel 2007. ‘Naoukograds, les villes interdites’. – Christian Jacob (ed.), Lieux de savoir. Espaces et commuanutés, Paris: Albin Michel, 1226-1249.Search in Google Scholar

Macnab, Geoffrey 2019. ‘DAU: a Never-Ending Experiment in a Soviet Laboratory’. – British Film Institute, 24 January 2019. https://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/dau-ilya-khrzhanovsky-report-and-first-look (31 August 2020).Search in Google Scholar

Manovich, Lev 2001. The Language of New Media. Cambridge: MIT Press.10.22230/cjc.2002v27n1a1280Search in Google Scholar

Mazierska, Ewa 2012. ‘International Co-productions as Productions of Heterotopias’. – Anikó Imre (eds.), A Companion to Eastern European Cinemas. Hoboken: John Wiley & Sons.10.1002/9781118294376.ch25Search in Google Scholar

Näripea, Eva 2013. ‘Work in Outer Space: Notes on Eastern European Science Fiction Cinema’. – Ewa Mazierska (eds.), Work in Cinema. New York: Palgrave Macmillan, 209-226.10.1057/9781137370860_11Search in Google Scholar

Näripea, Eva 2014. ‘Postcolonial Heterotopias: A Paracinematic Reading of Marek Piestrak’s Estonian Coproductions’. – Ewa Mazierska, Michael Goddard (eds.), Polish Cinema in a Transnational Context. Suffolk: Boydell & Brewer, 115-133.Search in Google Scholar

Näripea, Eva; Cederlöf, Henriette 2015. ‘Genre and Gender in the Dead Mountaineer’s Hotel (1979)’. – Science Fiction Film and Television 8, 2, 145-166.Search in Google Scholar

Phenomen Trust 2019. ‘DAU’. https://www.phenomen-trust.org/projects (31 August 2020).Search in Google Scholar

Pinkham, Sophie 2020. ‘Nihilism for Oligarchs’. – New Left Review 125, 15 October 2020. https://newleftreview.org/issues/II125/articles/sophie-pinkham-nihilism-for-oligarchs (20 October 2020).Search in Google Scholar

Smith, Victoria L. 2018. ‘The Heterotopias of Todd Haynes: Creating Space for Same Sex Desire in Carol’. – Film Criticism 42, 1, March 2018. https://quod.lib.umich.edu/f/fc/13761232.0042.102/--heterotopias-of-todd-haynes-creating-space-for-same-sex?rgn=main;view=fulltext (20 October 2020).10.3998/fc.13761232.0042.102Search in Google Scholar

Sobchack, Vivian 1991. The Address of the Eye: A Phenomenology of Film Experience. Oxford: Princeton University Press.10.1515/9780691213279Search in Google Scholar

Vertov, Dziga [1923] 1966. ‘O fil’me Kinoglaz’. – Sergey Drobashenko (ed.), Stat’i, dnevniki, zamysli. Moscow: Iskusstvo, 58-74.Search in Google Scholar

Sterzer, Philipp; Kleinschmidt, Andreas; Rees, Geraint 2009. ‘The Neural Bases of Multistable Perception’. – Trends in Cognitive Sciences, 13, 7, 310-318.10.1016/j.tics.2009.04.006Search in Google Scholar

Zhao, Wenqing; Öner, Murat 2018. ‘The Cinematic Space in Stephen Daldry’s The Hours: A Heterotopian Perspective.’ – International Journal of Social Research 2, 16. https://escipub.com/Articles/IJSR/IJSR-2018-06-1201 (20 October 2020).Search in Google Scholar