[Moore, Marianne. 1967a. Complete poems. New York: The Macmillan Company.]Search in Google Scholar
[Moore, Marianne. 1967b. The fish. In Marianne Moore, Complete poems, 32–33. New York: The Macmillam Company.]Search in Google Scholar
[Moore, Marianne. 1997. The selected letters of Marianne Moore. (Edited by Bonnie Costello, Celeste Goodridge & Cristanne Miller.) New York: Knopf.]Search in Google Scholar
[Moore, Marianne. 1987. The complete prose of Marianne Moore. New York: Elisabeth Sifton Books.]Search in Google Scholar
[Ambroży, Paulina. 2012. (Un)concealing the hedgehog: Modernist and postmodernist American poetry and contemporary critical theories. Poznań: Wydawnictwo UAM.]Search in Google Scholar
[Benjamin, Walter. 1998 [1963]. The origin of German tragic drama. (Trans. John Osborne.) London & New York: Verso.]Search in Google Scholar
[Bishop, Elizabeth. 1980a. The complete poems. New York: Farrar, Straus & Giroux.]Search in Google Scholar
[Bishop, Elizabeth. 1980b. Invitation to Miss Marianne Moore. In Elizabeth Bishop, The complete poems, 94–95. New York: Farrar, Straus & Giroux.]Search in Google Scholar
[Bogan, Louise. 1970. American to her backbone. In Louise Bogan, Poets alphabet, 370–371. New York: McGraw Hill.]Search in Google Scholar
[Bloom, Harold (ed.). 1987. Modern critical views: Marianne Moore. New York, New Haven & Philadelphia: Chelsea House Publishers.]Search in Google Scholar
[Conley, Tom. 1993. Foreword. In Gilles Deleuze, The fold, ix–xx. London: The Athlone Press.]Search in Google Scholar
[Costello, Bonnie. 1981. Marianne Moore: Imaginary possessions. Cambridge, MA & London: Harvard University Press.]Search in Google Scholar
[Dalglish, Jack. 1961. Eight Metaphysical poets. Oxford, UK: Heinemann Educational Publishers.]Search in Google Scholar
[DuPlessis, Rachel Blau. 1988. No more of the same: The feminist poetics of Marianne Moore. William Carlos Williams Review 14(1). 9–25.]Search in Google Scholar
[Eco, Umberto. 1989. Open work. (Trans. Anna Cangoni.) Cambridge, MA: Harvard University Press.]Search in Google Scholar
[Deleuze, Gilles. 1993 [1988]. The fold: Leibniz and the Baroque. (Trans. Tom Conley.) London: Athlone Press.]Search in Google Scholar
[Deleuze, Gilles. 1991. The fold. (Trans. Jonathan Strauss.) Yale French Studies 80. 227–247.10.2307/2930269]Search in Google Scholar
[Egginton, William. 2010. The theatre of truth: The ideology of (Neo)Baroque aesthetics. Stanford: Stanford University Press.10.1515/9780804773492]Search in Google Scholar
[Eliade, Mircea. 1991 [1952]. Images and symbols: Studies in religious symbolism. Princeton, NJ: Princeton University Press.]Search in Google Scholar
[Eliot, T.S. 1998 [1921]. The metaphysical poets. In T.S. Eliot, Selected Essays 1917–1932, 141–150. San Diego, CA & New York: Hartcourt, Brace & Company.]Search in Google Scholar
[Focillon, Henry. 1989 [1943]. The art of forms in art. (Trans. Charles Beecher Hogan and George Kubler.) New York: Zone.]Search in Google Scholar
[Hall, Donald. 1970. Marianne Moore: The cage and the animal. New York: Pegasus.]Search in Google Scholar
[Heuving, Jeanne. 1992. Omissions are not accidents: Gender in the art of Marianne Moore. Detroit: Wayne State University Press.]Search in Google Scholar
[Irigaray, Luce. 1991 [1980]. Marine lover: Of Friedrich Nietzsche. (Trans. Gilliam C. Gill.) New York: Columbia University Press.]Search in Google Scholar
[Leavell, Linda. 2013. Holding on upside down: The life and work of Marianne Moore. New York: Farrar, Straus & Giroux.]Search in Google Scholar
[Lima, José Lezama. 1993 [1957]. La curiosidad baroqua. In Irlemar Chiampi (ed.), La expressión americana, 79–106. Mexico City: Fondo de Cultura Económica.]Search in Google Scholar
[Kaup, Monika. 2012. Neobaroque in the Americas: Alternative modernities in literature, visual art and film. Charlottesville, VA: University of Virginia Press.]Search in Google Scholar
[Kaup, Monika. 2005. Neobaroque in Djuna Barnes. Modernism/Modernity 12. 85–110.10.1353/mod.2005.0043]Search in Google Scholar
[Kenner, Hugh. 1987. The experience of the eye. In Harold Bloom (ed.), Modern critical views: Marianne Moore, 11–23. New York, New Haven & Philadelphia: Chelsea House Publishers.]Search in Google Scholar
[Maravall, José Antonio. 1986. Culture of the Baroque: Analysis of a historical structure. Manchester: Manchester University Press.]Search in Google Scholar
[Merrin, Jeredith. 1990. An enabling humility: Marianne Moore, Elisabeth Bishop, and the uses of tradition. New Brunswick & London: Rutgers University Press.]Search in Google Scholar
[Moore, Marianne. 1966. Some answers to questions posed by Howard Nemerov. In Howard Nemerov (ed.), Poets on poetry, 8–16. New York: Basic Books.]Search in Google Scholar
[Nemerov, Howard (ed.) 1966. Poets on poetry. New York: Basic Books.]Search in Google Scholar
[Ndalianis, Angela. 2004. Neo-baroque aesthetic and contemporary entertainment. Cambridge, MA & London: MIT Press.10.7551/mitpress/4912.001.0001]Search in Google Scholar
[Paz, Octavio. 1988. Sor Juana, or, the traps of faith. (Trans. Margaret Sayers Peden.) Cambridge, MA: The Belknap Press of Harvard University Press.]Search in Google Scholar
[Rotella, Guy. 1991. Reading & writing nature. The poetry of Robert Frost, Wallace Stevens, Marianne Moore, and Elizabeth Bishop. Boston: Northeastern University Press.]Search in Google Scholar
[Slatin, John M. 1986. Savage’s romance: The poetry of Marianne Moore. University Park: Pennsylvania State University Press.]Search in Google Scholar
[Stevens, Wallace. 1990 [1923]. The collected poems. New York: Viking Press.]Search in Google Scholar
[Strauss, Jonathan. 1991. Translator’s note. In Gilles Deleuze, The Fold. (Trans. Jonathan Strauss.) Yale French Studies 80: 227–247.]Search in Google Scholar
[Wölfflin, Heinrich. 1950 [1932]. Principles of art history: The problem of the development of style in later art. (Trans. M. D. Hottinger.) Mineola, NY: Dover Publications Inc.]Search in Google Scholar
[Wölfflin, Heinrich. 1966. Renaissance and Baroque. (Trans. Kathrin Simon.) Ithaca: Cornell University Press.]Search in Google Scholar
[Zamora Parkinson, Lois & Monika Kaup (eds.). 2010a. Baroque New Worlds: Representation, transculturation, counterconquest. Durham & London: Duke University Press.10.1215/9780822392521]Search in Google Scholar
[Zamora Parkinson, Lois & Monika Kaup. 2010b. Baroque, New World Baroque, Neobaroque. In Baroque New Worlds: Representation, transculturation, counterconquest, 1-40. Durham & London: Duke University Press.10.1215/9780822392521-001]Search in Google Scholar
