[Andersen, R. (1999) ’Lydutstyr i kringkastingen’ [Sound equipment in broadcasting], in Andersen, R. & Bernstein, D. (eds.) (1999) Kringkastingens tekniske historie [The technical history of broadcasting]. Oslo: NRK.]Search in Google Scholar
[Andersen, R. & Bernstein, D. (eds.) (1999) Kringkastingens tekniske historie [The technical history of broadcasting]. Oslo: NRK.]Search in Google Scholar
[Berge, K.L. (1993) ‘The Diachrony of Textual Norms; Or, Why do Genres Change? A Presentation of a Theory Illustrated by its Relevance for the Teaching of Writing’, Changing English 1 (1): 217-228. Department of English, Media and Education, University of London.10.1080/1358684940010116]Search in Google Scholar
[Dahl, H.F. (1999) Hallo – hallo! Kringkastingen i Norge 1920 – 1940 (Hello–Hello! Broadcasting in Norway 1920-1940). Oslo: Cappelen.]Search in Google Scholar
[Ellis, J. (1982) Visible Fictions: Cinema, Television, Video. London: Routledge & Kegan Paul.]Search in Google Scholar
[Fairclough, N. (1992) Discourse and Social Change. Cambridge UK: Polity Press.]Search in Google Scholar
[Furre, B. (1996) Norsk historie 1905–1990 [Norwegian history 1905–1990]. Oslo: Det Norske Samlaget.]Search in Google Scholar
[Giddens, A. (1990) The Consequences of Modernity. Cambridge: Polity Press.]Search in Google Scholar
[Goffman, E. (1981) Forms of Talk. Oxford: Basil Blackwell.]Search in Google Scholar
[Goffman, E. (1986 [1974]) Frame Analysis: An Essay on the Organization of experience. Boston: Northeastern University Press.]Search in Google Scholar
[Habermas. J. (1989) The Structural Transformation of the Public Sphere. Cambridge, Ma: MIT Press.]Search in Google Scholar
[Halliday, M. A.K. (1990) Language as Social Semiotic. The Social Interpretation of Language and Meaning. London: Edward Arnold.]Search in Google Scholar
[Hartenstein, T. (2001) Det usynlige teatret. Radioteaterets historie 1926-2001 [The invisible theatre. The history of radio drama 1926-2001]. Oslo: NRK.]Search in Google Scholar
[Horton, D. & R. Wohl. (1986) ‘Mass Communication and Para-social Interaction: Observations on Intimacy at a Distance’, in Gumpert, G., & Catchcart, R. (eds.) Inter/Media. Interpersonal Communication in a Media World. New York: Oxford University Press.]Search in Google Scholar
[Hougen, J. (1932) Oslo kringkastingselskaps historie. Vol II: Programvirksomheten [The History of Oslo Broadcasting Company, Vol. II: The Programming]. Oslo: Olaf Norli.]Search in Google Scholar
[Isotalus, P. (1998) ‘Television Performance as Interaction’, Nordicom Review 1/1998.]Search in Google Scholar
[Kittler, F.A. (1999) Gramophone, film, typewriter. Translated, with an introduction by G. Winthrop-Young and M. Wutz. Standford, Calif. : Standford University Press.]Search in Google Scholar
[Larsen, P. (1991) ‘Qualitative Content Analysis. Between “Critical Theory” and Semiotics’, in: Rønning, H. & Lundby, K. (eds.) Media and Communication. Readings in Methodology, History and Culture. Olso: Norwegian University Press.]Search in Google Scholar
[Mancini, P. (1988) ‘Simulated Interaction: How the Television Journalist Speaks’, European Journal of Communication 3 (2).10.1177/0267323188003002003]Search in Google Scholar
[McLuhan, M. (1964) Understanding Media. London: Routledge & Kegan Paul.]Search in Google Scholar
[McLuhan. (1962) The Gutenberg Galaxy. The Making of Typographic Man. London: Routledge & Kegan Paul.]Search in Google Scholar
[Meyrowitz, J. (1985) No Sense of Place. The Impact of Electronic Media on Social Behavior. New York & Oxford: Oxford University Press.]Search in Google Scholar
[Nielsen, P.E. (1992) Bag Hollywoods drømmefabrikk: TV-system og produktionsforhold i amerikansk TV [Behind Hollywood’s dream factory: System and production in American television]. Århus: Århus Universitet.]Search in Google Scholar
[Nyre, L. (2003) Fidelity Matters. Sound Media and Realism in the 20th Century. Doctoral thesis. Department of Media Studies, University of Bergen.]Search in Google Scholar
[Ormestad, T. (1999) ‘Innspilling av radioprogrammer på plate og bånd’ [Recording of radio programmes on discs and tapes], in Andersen, R. & Bernstein, D. (eds.) (1999) Kringkastingens tekniske historie [The technical history of broadcasting]. Oslo: NRK.]Search in Google Scholar
[Scannell, P. (ed). (1991) Broadcast Talk. London: Sage.]Search in Google Scholar
[Syvertsen, T. (1992) Public Television in Transition. A Comparative and Historical Analysis of the BBC and the NRK. Levende bilder 5 (1992) The Norwegian Research Council for Science and the Humanities (NAVF). Oslo & Trondheim: NAVF and the author.]Search in Google Scholar
[Vagle, W. (2005) ‘From Text-context Models to Discourse-analytical Methodologies – Three Perspectives on Radio Discourse’, in Berge, K.L. & Maagerø, E. (eds.) Semiotics from the North. Nordic Approaches to Systemic Functional Linguistics. Oslo: Novus.]Search in Google Scholar
[Vagle, W. (2007) “I Think the Listeners Would Like Me to Ask You, Mr Prime Minister …”. The History of Texts and Contexts in Norwegian Radio with Emphasis on the Early Period. Acta Humaniora no. 317. Doctoral dissertation, Faculty of Humanities. Oslo: University of Oslo.]Search in Google Scholar
[Vagle, W. (2010) ‘In the Beginning There Was Only Electricity–Together With Words, Music, and Sounds. Fragments of the Semiotic History of Norwegian Broadcast Radio’, in Morrison, A. (ed.) Inside Multimodal Composition. Cresskill: Hampton Press.]Search in Google Scholar
[Williams, R. (1974) Television: Technology and Cultural Form. London: Fontana.]Search in Google Scholar
