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Art History & Criticism
Volume 13 (2017): Issue 1 (December 2017)
Open Access
Thomas Shadwell’s
the Virtuoso
as an Assemblage Laboratory. A View from Installation Art
Mateusz Chaberski
Mateusz Chaberski
| Jan 24, 2020
Art History & Criticism
Volume 13 (2017): Issue 1 (December 2017)
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Published Online:
Jan 24, 2020
Page range:
111 - 122
DOI:
https://doi.org/10.1515/mik-2017-0008
Keywords
installation art
,
assemblage
,
experience
,
laboratory
,
Restoration comedy
© 2017 Mateusz Chaberski, published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.