[Auslander, Philip. 2008. [1999] Liveness. Performance in a Mediatized Culture. London and New York: Routledge.]Search in Google Scholar
[Benjamin, Walter. 2010. The Work of Art in the Age of Its Technological Reproducibility. Grey Room no. 39: 1-37.10.1162/grey.2010.1.39.11]Search in Google Scholar
[Ekbom. Torsten and Bengt af Klintberg eds. 1989. Cabaret Hodell. En vdnbok. [Cabaret Hodell. A Festschrift], Stockholm: Forfattarlorlaget Fischer & Rye.]Search in Google Scholar
[Ekbom. Torsten. 1995. Bildstorm. [Image Storm], Stockholm: Bonnier.]Search in Google Scholar
[Ellestrom, Lars. 2010. The Modalities of Media. A Model for Understanding Intermedial Relations. In Media Borders, Multimodality and Intermediality. ed. Lars Ellestrom, 11-48. Basingstoke and New York: Palgrave Macmillan.10.1057/9780230275201_2]Search in Google Scholar
[Hodell. Ake. Friends of the Bumblebee. CD. Hill Tjaften - TjAFT 002. 2003.]Search in Google Scholar
[Hodell. Ake. 2002. Ldgsniff, DVD. Hill Tjaften - TjAFT 001.]Search in Google Scholar
[Hodell. Ake. 1966. Ldgsniff. Stockholm: Rabin & Sjogren.]Search in Google Scholar
[Huvssen, Andreas. 1986. After the Great Di\ide. Modernism, Mass Culture, Postmodernism. Bloomington and Indianapolis: Indiana University Press.]Search in Google Scholar
[Ingvarsson Jonas. 1999. Seeberg/Cyborg. Svenskt60-talochdenmediaimpregnerade prosan. [Seeberg/Cyborg. Swedish ’60s and the Media-Impregnated Prose], Human IT. Tidskrift fbr studier av IT ur ett humanvetenskapligt perspektiv. no. 1, unnumbered.]Search in Google Scholar
[Kittler. Friedrich. 1999. Gramophone, Film, Typewriter. Geoffrey YVinthrop- Young and Michael Wutz. transl. Stanford: Stanford University Press.]Search in Google Scholar
[McLuhan. Marshall. 2002 [1964]. Understanding Media. The Extensions of Man. London and New York: Routledge.]Search in Google Scholar
[Murphy. Richard. 1999. Theorizing the Avant-Garde. Modernism. Expressionism, and the Problem of Postmodemity. Cambridge: Cambridge University Press.10.1017/CBO9780511483189]Search in Google Scholar
[Nylen. Leif. 1998. Den bppna konsten. Happenings, instrumental teater. konkret poesi och andra grdnsbverskridningar i det svenska 60-talet, [The Open Art. Happenings. Instrumental Theatre. Concrete Poetry and Other Transgressions in the Swedish '60s], Stockholm: Sveriges allmanna konstforening.]Search in Google Scholar
[Olsson, Jesper. 2005. Alfabetets anvdndning. Konkret poesi och poetisk artefaktion i svenskt 1960-tal. [The Use of the Alphabet. Concrete Poetry and Poetic Artifice in Swedish ’60s], Stockholm: OEI editor.]Search in Google Scholar
[Sjoberg, Sami. 2010. Media on the Edge of Nothingness. Visual Apostrophes in Lettrism. In Media Borders, Multimodality and Intermediality. ed. Lars Ellestrom, 124-134. Basingstoke and New York: Palgrave Macmillan.10.1057/9780230275201_8]Search in Google Scholar
[Ørum. Tania. 2005. Means and Metaphors of Change. Technology and the Danish Avant-Garde of the 1960s. In Avant-Garde/Neo-Avant-Garde. ed. Dietrich Scheunemann. 311-324. Amsterdam and New York: Rodopi. 10.1163/9789401202589_019]Search in Google Scholar