Open Access

The Tableau Vivant as a “Figure of Return” in Contemporary East European Cinema

   | Mar 17, 2015

Cite

Bal, Mieke. 1999. Quoting Caravaggio: Contemporary Art, Preposterous History. Chicago: University of Chicago Press.Search in Google Scholar

Baucom, Caitlin. 2014. Performative Models. http://incidentmag.com/issue-1/critical-essays/performative-models/. Last accessed at 15. 07. 2014.Search in Google Scholar

Bradshaw, Peter. 2007. Taxidermia. The Guardian. http://www.theguardian.com/film/2007/jul/13/comedy.drama. Last accessed at 15. 07. 2014.Search in Google Scholar

Brewster, Ben and Lea Jacobs. 1998. Theatre to Cinema: Stage Pictorialism and the Early Feature Film. Oxford: Oxford University Press.Search in Google Scholar

Dánél, Mónika. 2012. Surrogate Nature, Culture, Women - Inner Colonies. Postcolonial Readings of Contemporary Hungarian Films. Acta Universitatis Sapientiae: Film and Media Studies vol. 5: 107‒129.Search in Google Scholar

Debray, Régis. 1992. Vie et mort de l’image, une histoire du regard en Occident [translation]. Paris: Bibliothèque des Idées, Gallimard. Search in Google Scholar

Halle, Randall. 2010. Offering Tales They Want to Hear: Transnational European Film Funding as Neo-Orientalism. In Global Art Cinema. New Theories and Histories, eds. Rosalind Galt and Karl Schoonover, 303-320. Oxford: Oxford University Press. Search in Google Scholar

Huber, Irmtraud. 2014. Literature after Postmodernism. London: Palgrave Macmillan.10.1057/9781137429919Search in Google Scholar

Jameson, Frederic. 1986. Third-World Literature in the Era of Multinational Capitalism. Social Text no. 15 (Autumn): 65-88.10.2307/466493Search in Google Scholar

Király, Hajnal: 2014. Playing Dead: Pictorial Representations of Melancholia in Contemporary Hungarian Cinema. Manuscript. Forthcoming in Studies in Eastern European Cinema. Search in Google Scholar

Kovács, András Bálint. 2013. The Cinema of Béla Tarr. The Circle Closes. London and New York: Wallflower Press. 10.7312/kova16530Search in Google Scholar

Lyotard, Jean-François. 1978. Acinéma. Wide Angle vol. 2: 52-59.Search in Google Scholar

Paech, Joachim. 2014. Intermediate Images. Acta Universitatis Sapientiae: Film and Media Studies, Volume 9. Perniola, Mario, 1995. Enigmas. The Egyptian Moment in Society and Art. London, Verso.10.1515/ausfm-2015-0002Search in Google Scholar

Perniola, Mario. 2004a. The Sex Appeal of the Inorganic: Philosophies of Desire in the Modern World. London, New Delhi, New York, Sydney: Bloomsbury Publishing.Search in Google Scholar

Perniola, Mario. 2004b. Art and its Shadow. London: Continuum.Search in Google Scholar

Peucker, Brigitte. 2007. The Material Image. Art and the Real in Film. Stanford, Stanford University Press.10.1515/9781503626072Search in Google Scholar

Rudaitytė, Regina (ed.). 2008. Postmodernism and After. Visions and Revisions. Newcastle upon Tyne, Cambridge Scholars Publishing.Search in Google Scholar

Satz, Aura. 2009. Tableaux Vivants: Inside the Statue. In Articulate Objects: Voice, Sculpture and Performance, eds. Aura Satz and Jon Wood, 157-183. Oxford, New York: Peter Lang. Search in Google Scholar

Shaviro, Steven. 2012a. Body Horror and Post-Socialist Cinema: György Pálfi’s Taxidermia. In A Companion to Eastern European Cinemas, ed. Anikó Imre, 25-41. Chichester, West Sussex: Wiley-Blackwell.10.1002/9781118294376.ch2Search in Google Scholar

Shaviro, Steven. 2012b. Melancholia, or, the Romantic Anti-Sublime. Sequence. 10.20919/sequence1.1(2012)Search in Google Scholar

http://reframe.sussex.ac.uk/sequence1/1-1-melancholia-or-the-romantic-antisublime/. Last accessed at 15. 07. 2014.Search in Google Scholar

Xavier, Ismail. 2007. Historical Allegory. In A Companion to Film Theory, eds. Toby Miller and Robert Stam, 333-362. Oxford: Blackwell Publishing. 10.1002/9780470998410.ch18Search in Google Scholar

eISSN:
2066-7779
Language:
English
Publication timeframe:
2 times per year
Journal Subjects:
Library and Information Science, Book Studies, Media and Press