Nick Joaquin, one of the Philippines’ pillars of literature in English, is regrettably known locally for his nostalgic take on the Hispanic aspect of Philippine culture. While Joaquin did spend a great deal of time creatively exploring the Philippines’ Hispanic past, he certainly did not do so simply because of nostalgia. As recent studies have shown, Joaquin’s classic techniques that often echo the Hispanic influence on Philippine culture may also be considered as a form of resistance against both the American neocolonial influence and the nativist brand of nationalism in the 1950s and 1960s. Despite the emergence of Gothic criticism in postcolonial writing, Joaquin’s works have rarely received the attention they deserve in this critical area.
In this context, this paper explores the idea of the Gothic in Joaquin’s writing and how it relates to Joaquin being the “most original voice in postcolonial Philippine writing.” In 1972, the University of Queensland Press featured Joaquin’s works in its Asian and Pacific writing series. This “new” collection, , contained his significant early works published in Prose and Poems (1952) plus his novellas. This collection’s title highlights a specific aspect of Joaquin’s writing, that of his propensity to use Gothic tropes such as the blending of the real and the fantastic, or the tragic and the comic, as shown in most of the stories in the collection. In particular, I examine how his novella (Cándido’s Apocalypse) interrogates the neurosis of the nation—a disconnection from the past and its repercussions on the present/future of the Philippines.
If the inline PDF is not rendering correctly, you can download the PDF file here.
Blanco, John. “Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s A Portrait of the Artist as Filipino.” Kritika Kultura 4 (2014): 5–35. Web. 1 Feb. 2014.
Bernad, Miguel. Bamboo and the Greenwood Tree. Manila: Bookmark, 1961. Print.
Casper, Leonard. “Beyond the Mind’s Mirage: Tales by Joaquin and Cordero-Fernando.” Philippine Studies 31.1 (1983): 87–93. Print.
Furay, H. B. “The Stories of Nick Joaquin.” Philippine Studies 1.2 (1953): 144–54. Print.
Hidalgo, Cristina Pantoja. Fabulists and Chroniclers. Quezon City: U of the Philippines P, 2008. Print.
Holden, Philip. “The ‘Postcolonial Gothic’: Absent Histories, Present Contexts.” Textual Practice 23.3 (2009): 353–72. Web. 10 Jan. 2014.
Horner, Avril, and Sue Zlosnik. “Comic Gothic.” A New Companion to the Gothic. Ed. David Punter. Malden, MA: Wiley-Blackwell, 2012. 321–34. Print.
Joaquin, Nick. “Cándido’s Apocalypse.” Tropical Gothic. St. Lucia, Qld.: U of Queensland P, 1972. 3–56. Print.
Joaquin, Nick. “Nick Joaquin with J. F. Lacaba.” Conversations with Filipino Writers. By Roger J. Bresnahan. Manila: New Day, 1990. 63–76. Print.
Joaquin, Nick. “The Way We Were.” Writers and Their Milieu: An Oral History of Second Generation Writers in English Part II. Ed. Edilberto N. Alegre and Doreen Fernandez. Manila: De La Salle UP, 1987. 1–9. Print.
Kahir, Tabish. The Gothic, Postcolonialism and Otherness: Ghosts from Elsewhere. Basingstoke: Palgrave Macmillan, 2009. Print.
Melencio, Gloria Esguerra. “Asocena: History of Dog Meat-Eating in the Philippines.” About Philippines. Web. 20 Feb. 2014.
Mojares, Resil. “Joaquin, Nick: Biography.” Ramon Magsaysay Award Foundation. Web. 20 Feb. 2014.
Mojares, Resil. Waiting for Mariang Makiling: Essays in Philippine Cultural History. Quezon City: Ateneo de Manila UP, 2002. Print.
Rydell, Robert W. All the World’s a Fair: Visions of Empire at American International Expositions, 1876–1916. Chicago: U of Chicago P, 1984. Print.
San Juan, Epifanio. Subversions of Desire: Prolegomena to Nick Joaquin. Honolulu, HI: U of Hawaii P, 1988. Print.
Sharrad, Paul. “Echoes and Antecedents: Nick Joaquin’s Tropical Gothic.” World Literature Written in English 20.2 (1981): 355–66. Web. 28 May 2014.
Wilding, Michael. Introduction. Tropical Gothic. By Nick Joaquin. St. Lucia, Qld.: U of Queensland P, 1972. vii-ix. Print.