The Technique of Optimal Use of Facial Muscles in Trumpet Interpretation

Open access

Abstract

Facial muscles have an overwhelming importance in obtaining a special sonority, a perfect instrumental technique. In fact, through their vibration all sonority is produced by these muscles, and the level of professionalism one can reach depends on their degree of efficient use. We shall next analyze the specific issues and modality of use. While playing a mouthpiece instrument, due to the way facial muscle s are used, the following issues arise: exaggerated facial muscles stretching, clamping, undue strain, vibration limitation (by over-pressing, outer reason).

If the inline PDF is not rendering correctly, you can download the PDF file here.

  • 1. Alsteens Stijn Spira Freyda Ainsworth Maryan W. Metropolitan Museum of Art (New York N.Y.) (2012) Dürer and beyond: Central European drawings in the Metropolitan Museum of Art 1400-1700 New York: Metropolitan Museum of Art; New Haven

  • 2. Baker Theodore Slonimsky Nikolas (1995) Dictionnaire biographique des musiciens Edition Robert Laffont Paris

  • 3. Barclay Robert (1992) The Art of the Trumpet-Maker: The Materials Tools and Techniques of the Seventeenth and Eighteenth Centuries in Nuremberg Oxford University Press

  • 4. Bowyer Carolyn Susan (2016) Echoes of the salpinx: the trumpet in ancient Greek culture doctoral thesis Royal Holloway University of London

  • 5. Burkhart Raymond David (2016) Brass Chamber Music in Lyceum and Chautauqua Hardcover

  • 6. Caruso Carmine (1979) Musical Calisthenics For Brass. New York: Carl Fischer

  • 7. Cârstea Sergiu (2014) Metode de studiu care au revoluționat stilul de interpretare la trompetă (20th Century) in: Artes Magazine vol. 14 Artes Publishing House Iasi 13. Pia Jonathan (2913) La tromba nella trattatistica musicale del XVII secolo Lul.com

  • 8. Dokschizer Timofei (1990) Methode de trompette: systeme d’exercices complexes A. Leduc Paris

  • 9. Franquin Merri Jean Baptiste (1908) Methode Complete de la Trompette Enoch Paris

  • 10. Ioan Goia Metodica studiului şi predării instrumentelor de suflat “George Enescu” Iaşi Conservatory 282 p. + XXII (anexa).

  • 11. Hoch James E. (1994) Semitic words in Egyptian texts of the New Kingdom and Third Intermediate Period Princeton New Jersey: Princeton University Press

  • 12. Patrick Kersalé (2003) Musiques traditionnelles du monde: communiquer ici làbas et au delà… Lugdivine Lyon

  • 14. Edward Tarr (2000) Die Trompette Ed. Schott

  • 15. Marc Vignal (1999) Dictionnaire de la musique Edition Larousse-Bordas

  • https://fr.wikipedia.org/wiki/Maurice_Andr%C3%A9

  • https://en.wikipedia.org/wiki/Arturo_Sandoval

  • https://fr.wikipedia.org/wiki/Guy_Touvron

  • https://www.ziuaconstanta.ro/stiri/social/seara-concertistica-cu-lucrari-de-rossinimozart-vivaldi-si-arriaga-4645.html

  • https://fr.wikipedia.org/wiki/Didgeridoo#cite_note-PK124-2

  • https://en.wikipedia.org/wiki/Trumpet

  • https://fr.wikipedia.org/wiki/Adolf_Scherbaum

  • https://fr.wikipedia.org/wiki/Trompette

  • New Grove Dictionary of Music (HTML)\New Grove Dictionary of Music Version html.zip\

  • http://www.biblia-ortodoxa.ro/vechiul-testament/numerii-a-patra-carte-a-lui-moise/

  • https://de.wikisource.org/wiki/W%C3%B6chentliche_Nachrichten_und_Anmerkungen_die_Musik_betreffend#3._Jahrgang_(1768)

  • https://ro.wikipedia.org/wiki/Iosephus_Flavius

  • https://fr.wikipedia.org/wiki/Salpinx_(instrument)#Sonorit%C3%A9

  • https://ro.wikipedia.org/wiki/Iosephus_Flavius

  • http://vladimirrosulescu-istorie.blogspot.com/2011/03/roma-arcul-de-triumf-al-luititus-forum.html

  • http://oxfordindex.oup.com/view/10.1093/gmo/9781561592630.article.28530

  • https://www.encyclopediecanadienne.ca/fr/article/musiciens-ambulants/

  • https://www.hyperion-records.co.uk/dw.asp?dc=W5419_67266

Search
Journal information
Metrics
All Time Past Year Past 30 Days
Abstract Views 0 0 0
Full Text Views 255 255 10
PDF Downloads 102 102 8