Shakespow

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Abstract

In my paper, I look at the reception of Shakespeare in wartime, under circumstances that challenge and foreground the notion of national borders and territories within Europe. By looking at several Shakespeare cults during the Great War, I seek to illustrate how notions of the nation and of Europe are variable, and with it the concept of “European Shakespeare.”

Abstract

In my paper, I look at the reception of Shakespeare in wartime, under circumstances that challenge and foreground the notion of national borders and territories within Europe. By looking at several Shakespeare cults during the Great War, I seek to illustrate how notions of the nation and of Europe are variable, and with it the concept of “European Shakespeare.”

Linguaculture

The Journal of Linguaculture Centre for (Inter)cultural and (Inter)lingual Research, Alexandru Ioan Cuza University of Iasi

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