The Gothic Uncanny: Selected Mind-Images in Literature and Film

Graça P. Corrêa 1
  • 1 Centro de Filosofia das Ciências, Faculdade de Ciências, Universidade de Lisboa, 1749-016, Lisboa, Portugal

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  • Briggs, J., 2015, The Ghost Story. In: A new companion to the Gothic (David Punter, ed), John Wiley & Sons, New York.

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  • Deleuze, G., Guattari, F., 1987 A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi, University of Minnesota Press, Minneapolis.

  • Dolar, M., 1991, ‘I Shall Be with You on Your Wedding-Night’: Lacan and the Uncanny. October, 58, 5–23.

  • Freud, S., 1919, The Uncanny. Translated by Alix Stratchey. Available at: web.mit.edu/allanmc/www/freud1.pdf. Accessed 18 December 2019.

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  • Hoffmann, E.T.A, 2009 (1816), The Sandman. Translated by John Oxenford. Digital Edition at: https://www.gutenberg.org/files/32046/32046-h/32046-h.htm#sandman. 18 December 2019.

  • Hogle, Jerrold, E., 2002 Cambridge Companion to Gothic Fiction. Cambridge University Press, Cambridge.

  • Hoile, C., 1984, The Uncanny and the Fairy Tale in Kubrick’s The Shining. Literature/Film Quarterly 12, 1, pp. 5–12.

  • Jameson, F., 1981, Historicism in The Shining. Available at: http://www.visual-memory.co.uk/amk/doc/0098.html. Accessed 18 December 2019.

  • Jentsch, E., 1906, On the psychology of the uncanny. Translated by Roy Sellars. In: Angelaki: Journal of the Theoretical Humanities 2.1 (1997). Available at: http://www.art3idea.psu.edu/locus/Jentsch_uncanny.pdf. Accessed 18 December 2019.

  • Hitchcock, A., 1943, Shadow of a Doubt, screenplay by Thornton Wilder, Alma Reville and Sally Benson, produced by Skirball Productions, Los Angeles.

  • Kaleta, K.C., 1993, David Lynch. Twayne Publishers, New York.

  • Kubrick, S., 1980, The Shining, screenplay by Stephen King and Diane Johnson, Warner Bros. Pictures, Los Angeles.

  • Lambert, G., 2008, Schizoanalysis and the Cinema of the Brain. In: Deleuze and the schizoanalysis of cinema, (Ian Buchanan and Patricia MacCormack; eds.), Continuum International Publishing Group, London.

  • Lloyd-Smith, A.G., 1986, Uncanny American fiction: Medusa’s face. St Martin’s Press, New York.

  • Lynch, D., 1989, Twin Peaks, produced by Lynch-Frost Productions/Spelling Entertainment/Propaganda Films, Los Angeles.

  • McLaughlin, J.B., 2009, All in the Family: Alfred Hitchcock’s Shadow of a Doubt. In: A Hitchcock Reader (Marshall Deutelbaum and Leland A. Poague, eds.), 2nd edition, Wiley-Blackwell, London.

  • Nolan, A., 2011, Seeing is Digesting: Labyrinths of Historical Ruin in Stanley Kubrick’s The Shining. Cultural Critique, 77, pp. 182–204.

  • Perry, D.R, Sederholm, C.H., 2009, “The House of Usher” and The American Gothic. Palgrave Macmillan, New York.

  • Pisters, P., 2008, Delirium Cinema or Machines of the Invisible? In: Deleuze and the schizoanalysis of cinema (Patricia MacCormack and Ian Buchanan, eds), Continuum International Publishing Group, London.

  • Powell, A., 2012, The Daemons of Unplumbed Space: Mixing the Planes in Hellboy. In: Deleuze and Film (David Martin-Jones and William Brown, eds), Edinburgh University Press, Edinburgh.

  • Powell, A, 2007, Deleuze, Altered States and Film. Edinburgh University Press, Edinburgh.

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  • Royle, N., 2003, The uncanny. Manchester University Press, Manchester.

  • Savoy, E., 2002, The Rise of American Gothic. In: The Cambridge Companion to Gothic Fiction (Jerrold E. Hogle, ed), Cambridge University Press, New York.

  • Spoto, D., 1999, The Dark Side of Genius: The Life of Alfred Hitchcock. Da Capo Press, Los Angeles.

  • Tobe, R., 2003, Both Frightening and Familiar: David Lynch’s Twin Peaks and The North American Suburb. In: Visual Culture and Tourism, (David Crouch, ed.), Berg Publications, Oxford.

  • Williams, D., 1995, Art of Darkness: A Poetics of Gothic. University of Chicago Press, Chicago.

  • Wood, R., 1989 Hitchcock’s Films Revisited, Columbia University Press, New York.

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