21 Articles
Open Access | Feb 14, 2014
MALE VS. FEMALE / MIND VS. BODY: A COGNITIVE DISCOURSE APPROACH TO TWO PLAYS BY SHAKESPEARE
Open Access | Feb 14, 2014
WHO IS THE REAL EVIL?: THE FEMALE CHALLENGING THE MALE IN THE MERCHANT OF VENICE AND MEASURE FOR MEASURE
Open Access | Feb 14, 2014
THE UNFOLDING OF TRUTH AND SELF-REPRESENTATION WITHIN THE CRACKED MIRROR IN SHAKESPEARE’S RICHARD II
Open Access | Feb 14, 2014
“A THING LIKE DEATH”: MEDICAL REPRESENTATIONS OF FEMALE BODIES IN SHAKESPEARE’S PLAYS
Open Access | Feb 14, 2014
“SYCORAX ON STAGE”: THE UNVOICED SHAKESPEAREAN FEMALE OTHER FINALLY SPEAKS IN SUNITI NAMJOSHI’S POETRY
Open Access | Feb 14, 2014
READING LIKE THE JAPANESE: THE GOTHIC AESTHETICS OF HORROR IN SHAKESPEARE’S TITUS ANDRONICUS
Open Access | Feb 14, 2014
BREAKING STEREOTYPES: MALE VIEW OF THE FEMALE PRINCIPLE IN RAJA RAO’S THE CAT AND SHAKESPEARE
Open Access | Feb 14, 2014
TAMING THE HEART OF THE WILD: THE DOMESTICATION OF WOMEN IN JOHN FLETCHER’S TRAGEDIE OF BONDUCA
Open Access | Feb 14, 2014
THE CONSTRUCTION OF GENDER-SPECIFIC AUDIENCES IN THE WORKS OF EARLY 17TH CENTURY WRITERS
Open Access | Feb 14, 2014
FEDERICO GARCÍA LORCA’S YERMA (1937) AND RUTH CARTER’S A YEARNING (1999): THE OPPRESSION OF WOMEN THROUGH SPACE AND TIME
Open Access | Feb 14, 2014
“UNDER THE MOON” – IMAGES AND FORMS OF ‘FEMALENESS’ IN ADRIENNE KENNEDY’S PLAYS
Open Access | Feb 14, 2014
ANIMAL METAPHORS AND SEMANTIC DEROGATION – DO WOMEN THINK DIFFERENTLY FROM MEN?
Open Access | Feb 14, 2014
GENDER AND POLITICS AS THE DOMINANT FACTORS IN THE PERCEPTIONS OF MULTICULTURAL EDUCATION
, and
Search
All Volumes and Issues in this Journal
Volume 22 (2023)
Volume 21 (2022)
Volume 20 (2021)
Volume 19 (2020)
Volume 18 (2019)
Volume 17 (2018)
Volume 16 (2017)
Volume 15 (2016)
Volume 14 (2015)
Volume 13 (2014)
Volume 12 (2013)
Volume 11 (2012)