The Real, Imaginary and Possible in Robert Coover’s Short Story “Stick Man” (2005)

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In the context of Baudrillard’s theory of simulacra, this paper analyzes Robert Coover’s depiction of different versions of “reality” as manifested in his short story “Stick Man”. The paper argues that through the depiction of transworld characters oscillating between different ontological levels and modes of representation, Coover

  1. treats the relation between fiction and reality,
  2. deals, in the context of some post-structuralist theories, with a question of representation connected especially with the relation between language and reality,
  3. parodies celebrity culture, mass media manipulation of the audience and consumerism as important aspects of contemporary (American) culture, and points out the replacement of the representation by “simulation” in the contemporary technologically advanced world.

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  • Baudrillard Jean. “Simulacra and Simulations.” Jean Baudrillard Selected Writings ed Mark Poster. Stanford University Press 1998 pp.166-184. Available at: <> Accessed October 20th 2017.

  • Coover Robert. A Child Again. San Francisco: McSweeney´s Books 2005.

  • Dolezel Lubomir. “Mimesis and Possible Worlds” Poetics Today 9.3 (1988) pp. 475-496.

  • Harsaw (Hrushovski) Benjamin. “Fictionality and Fields of Reference: Remarks on a Theoretical Framework” Poetics Today 5.2 (1984) pp. 227-251.

  • McHale Brian. Postmodernist Fiction. London: Routledge 1987.

  • Pavel Thomas G. Fictional Worlds. Cambridge MA: Harvard University Press 1986.

  • Ronen Ruth. Possible Worlds in Literary Theory. Cambridge: Cambridge University Press 1994.

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