History, Art and Consumerism— Richard Powers’ Three Farmers on Their Way to a Dance

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Abstract

This article analyzes three narrative lines as depicted in Richard Powers’ Three Farmers on Their Way to a Dance (1985) and the way his depiction of real, photographed, present and past characters along with a narrative reference to a photograph create a metafictional and intertextual frameworks through the use of which Powers symbolically points out a sensibility of the late 20th century and its difference from early 20th century related to the vision of the world, understanding of reality, art, and history. In addition, the article emphasizes Powers’ use of postmodern allegory and the way it creates another meaning which points out a commercial and consumerist character of the 20th century and which also symbolically represents a history of technical and artistic depiction of the world.

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  • Benjamin Walter. The Work of Art in the Age of Mechanical Reproduction. London: Penguin 2008.

  • Dewey Joseph. Understanding Richard Powers. Columbia: University of South Carolina Press 2002.

  • Hurt James. “Narrative Powers: Richard Powers as storyteller” Review of Contemporary Fiction 28:3 1998 pp. 24-41.

  • Powers Richard. Three Farmers on Their Way to a Dance. New York: Perennial 1985.

  • Owens Craig. Beyond Recognition: Representation Power and Culture. Berkeley: University of California Press 1992.

  • Valadié Flora. “Serial Production Serial Photography and the Writing of History in Three Farmers on Their Way to a Dance “ Transatlantica [online] 2 | 2009 5 May 2017 http://transatlantica.revues.org/4642.

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