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Acta Universitatis Sapientiae, Film and Media Studies
Volume 12 (2016): Issue 1 (September 2016)
Open Access
Acta Universitatis Sapientiae, Film and Media Studies
Volume 12 (2016): Issue 1 (September 2016)
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10 Articles
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Open Access | Sep 24, 2016
The Impression of Reality and the Awareness of the Medium in Alexander Sokurov’s Family Trilogy
Malgorzata Bugaj
Malgorzata Bugaj
Open Access | Sep 24, 2016
Pictorial Real, Historical Intermedial. Digital Aesthetics and the Representation of History in Eric Rohmer’s
The Lady and the Duke
Giacomo Tagliani
Giacomo Tagliani
Open Access | Sep 24, 2016
The Polaroid and the Cross. Media-Reflexivity and Allegorical Figurations in Lucian Pintilie’s
The Oak
(1992)
Katalin Sándor
Katalin Sándor
Open Access | Sep 24, 2016
Looking West: Understanding Socio-Political Allegories and Art References in Contemporary Romanian Cinema
Hajnal Király
Hajnal Király
Open Access | Sep 24, 2016
Magic Realism, Minimalist Realism and the Figuration of the Tableau in Contemporary Hungarian and Romanian Cinema
Judit Pieldner
Judit Pieldner
Open Access | Sep 24, 2016
Art and Reality in
The Arbor
(2010)
Cecília Mello
Cecília Mello
Open Access | Sep 24, 2016
When the Copywriter is the Protagonist. History and Intermediality in Pablo Larraín’s
No
(2012)
Francesco Zucconi
Francesco Zucconi
Open Access | Sep 24, 2016
Accommodating the Mess: The Politics of Appropriation in
It for Others
(2013)
Paula Blair
Paula Blair
Open Access | Sep 24, 2016
Media-Morphosis. Intermediality, (Re-)Animation and the Medial Uncanny in Tsukamoto Shinya’s
Tetsuo: The Iron Man
(1989)
Mark Player
Mark Player
Open Access | Sep 24, 2016
Indexicality or Technological Intermediate? Moving Image Representation, Materiality, and the Real
James Verdon
James Verdon
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Volume 13 (2016)
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Volume 12 (2016)
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Volume 11 (2015)
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