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Cynthia J. Miller

References Barthes, Roland. Camera Lucida: Reflections on Photography . New York: Hill and Wang, 1981. Berger, John. Another Way of Telling . New York: Vintage International, 1982. Berry, Wendell. What are People For? San Francisco: North Point Press, 1990. Chalfen, Richard. “A Sociovidistic Approach to Children’s Filmmaking: The Philadelphia Project” Studies in Visual Communication 7 (1): 2-33, 1981. Ewald, Wendy. Portraits and Dreams: Photographs and Stories by

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Genealogy, Archive, Image

Interpreting Dynastic History in Western India, c. 1090-2016

Jayasinhji Jhala

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Genealogy, Archive, Image

Interpreting Dynastic History in Western India, c.1090-2016

Angma Jhala and Jayasinhji Jhala

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Rob Krier

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Mónika Dánél

1 This work was supported by the project entitled Space-ing Otherness. Cultural Images of Space, Contact Zones in Contemporary Hungarian and Romanian Film and Literature (OTKA NN 112700) and by the János Bolyai Research Scholarship of the Hungarian Academy of Sciences. References Agamben, Giorgio. 2000. Marginal Notes on Commentaries on the Society of the Spectacle. In Means without End. Notes on Politics (Theory Out of Bounds) , 73–89. Minneapolis–London: University of Minnesota Press. Agnew, Vanessa. 2004. Introduction: What is Reenactment

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Chassica Kirchhoff

, Uměleckoprůmyslové museum v Praze, inv. GK 11.572-A) Anonymous, Ritterspiele gehalten von Kaiser Friedrich III. und Kaiser Maximilian I. 1489-1511 , circa 1540s-1550s (Bayerisches Staatsbibliothek, Munich, Cod. Icon 398) Anonymous, Ritterspiele gehalten von Kaiser Friedrich III. und Kaiser Maximilian I. 1489-1511 , circa 1540s-1550s (Augsburg, Universitätsbibliothek Augsburg, Cod. I.6.4.1) Anonymous (Baumann?), Fecht– und Ringbuch ( Codex Wallerstein), circa 1420s and 1460s (Augsburg, Univeritätsbibliothek Augsburg. Cod. I.6.4.2) Anonymous, Walpurgis

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Árpád Bak

References Beekman, Rene. 2005. Review of New Philosophy for New Media, by Mark B.N. Hansen. Leonardo vol. 38 no. 4: 355-356. Bergson, Henri. 1991 [1896]. Matter and Memory. New York: Zone Books. Bonitzer, Pascal. et al. 2000 [1986]. The Brain is the Screen. An Interview with Gilles Deleuze. In The Brain Is the Screen: Deleuze and the Philosophy of Cinema, ed. Gregory Flaxman, 365-73. Minneapolis: University of Minnesota Press. Deleuze, Gilles. 2009 [1983]. Cinema 1. The Movement-Image. London

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Annalene van Staden and Nicole Purcell

learners through visual imaging teaching strategies. Per Linguam, 26(1), 13-28. Wang, M., & Geva, E. (2003). Spelling performance of Chinese children using English as a second language: Lexical and visual-orthographic processes. Applied Psycholinguistics, 24, 1-25. Williams, J.T., & Newman, S.D. (2016). Connections between fingerspelling and print: The impact of working memory and temporal dynamics on lexical activation. Sign Language Studies, 16(2), 157-18. Wolter, J.A., Self, T., & Apel, K. (2011). Initial mental

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Mathias Danbolt

About the Term Neger’, Social Anthropology, vol. 13, no. 1, pp. 27-46. DOI:10.1017/S0964028204000850 Habel, Y 2012, ‘Challenging Swedish Exceptionalism? Teaching While Black’, in Education in the Black Diaspora: Perspectives, Challenges, and Prospects, eds. K Freeman & E Johnson, Routledge, New York & London. Hagen, N 2014, ‘Lakridsmasker er ikke racistiske’, Dagbladet Køge, January 28, p. 10. Handberg K 2014, There is No Time Like the Past: Retro Between Memory and Materiality in Contemporary Culture, PhDdissertation