Stephan A. Kollmann, Martin Kleppmann and Alastair R. Beresford
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 Martin Kleppmann and Alastair R. Beresford. A Conflict-Free Replicated JSON Datatype. IEEE Transactions on Parallel and Distributed Systems , 28(10):2733–2746, 2017.
 Nadim Kobeissi. Capsule: A protocol for secure collaborative document editing. IACR Cryptology ePrint 2018/253, 2018.
 Ben Laurie, Adam Langley, and Emilia Kasper. RFC 6962: Certificate Transparency. IETF, 2013.
 Prince Mahajan, Lorenzo Alvisi, and Mike Dahlin. Consistency, Availability
The rise of Canadian national identity in the 1960s contributed to a flourishing small press movement across the country. One of the most impressive, long-standing and influential presses of this era was Coach House Press, located near the University of Toronto. Book design, creative forms of editing, collaborative and community-oriented work all became a focus of idealism in the Coach House context, as its founders borrowed from earlier international models, but relied, too, on the Canadian moment to devise new ways to disseminate and create literary culture. More recently, a similar idealistic model in publishing and press work has appeared in Nova Scotia at Kentville’s Gaspereau Press. Gaspereau’s founders, like those at Coach House, have searched for an alternative plan and method- through an in-house dedication to the craft of design and bookmaking- that is unlike that applied by mainstream publishers. One could argue that the two outfits represent a counter-tradition in Canadian cultural life, a dedication to artisanal work, as well as to forms of collaborative editing and design. With the publishing and bookselling industry under great pressure in Canada from shifts in technology and government support, counter-traditional models like Gaspereau Press present the possibility of unique forms of cultural output and marketing. Behind such efforts we recognize philosophies and notions of cultural community that run counter to major trends. This paper examines the history of both presses, specific publications, and the impact of such work on the broader Canadian literary scene.
This paper examines the ways in which the seldom performed collaborative play, Edward III, was re-contextualised by Barbara Gaines, Artistic Director of the Shakespeare Theater of Chicago, in order to create a specifically presentist piece of theatre making a forceful political statement during the 2016 US presidential election. Edward III formed the opening section of a trilogy entitled Tug of War: Foreign Fire, which continued with Henry V, and Henry VI Part I. The second trilogy, Tug of War: Civil Strife, comprised the remaining two parts of Henry VI and Richard III. The paper will address the rationale behind the selection of these specific plays, and why it was felt unnecessary to fill the historical lacuna created by the exclusion of Richard II and Henry IV Parts I and II. In addition, it will also examine the limitations inherent in the available archival material when researching an ephemeral theatrical event, particularly one which has been edited and directed in order to address issues of immediate political concern. Selected extracts from my own review of the first of these two trilogies will seek to offer a more detailed response than is possible for journalistic reviewers and to provide sufficient background to prove of benefit for future researchers.
This paper presents MTor, a low-latency anonymous group communication system. We construct MTor as an extension to Tor, allowing the construction of multi-source multicast trees on top of the existing Tor infrastructure. MTor does not depend on an external service to broker the group communication, and avoids central points of failure and trust. MTor’s substantial bandwidth savings and graceful scalability enable new classes of anonymous applications that are currently too bandwidth-intensive to be viable through traditional unicast Tor communication-e.g., group file transfer, collaborative editing, streaming video, and real-time audio conferencing.
We detail the design of MTor and then analyze its performance and anonymity. By simulating MTor in Shadow and TorPS using realistic models of the live Tor network’s topology and recent consensus records from the live Tor network, we show that MTor achieves a 29% savings in network bandwidth and a 73% reduction in transmission time as compared to the baseline approach for anonymous group communication among 20 group members. We also demonstrate that MTor scales gracefully with the number of group participants, and allows dynamic group composition over time. Importantly, as more Tor users switch to group communication, we show that the overall performance and utilization for group communication improves. Finally, we discuss the anonymity implications of MTor and measure its resistance to traffic correlation.
This essay aims to bring to the fore the varied and broad valences of the ‘mound’ in Beckett’s oeuvre. In my reading, the mound functions as a profuse, multi-purpose symbol, that coalesces into a variety of topoi indicative of Mother Earth, that figure in the thighs, the nipples, the pubis/pubic area and bones, ruins, ants, birth, fetus, and elemental maternal death. I embarked upon the present study before the commencement of the Beckett Digital Manuscript Project, a collaborative project between the Centre for Manuscript Genetics at the University of Antwerp, the Beckett International Foundation, the University of Reading and Harry Ransom Humanities Research Center, the University of Texas at Austin. Valorising the author’s editing, additions, notes and comments provided by the upcoming digitalized manuscripts of Beckett in 2014 and 2015, I expect to contribute to the work in progress, and to the corpus of Beckett studies in general, especially those approaching his bilingual works. It is my contention that the frequency of certain terms, the diagrams that Beckett included in some of his letters (as is the case of the mound in Happy Days), shed significant light on the nature of his symbolism.
David Gañán, Santi Caballé, Jordi Conesa and Fatos Xhafa
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Virginia Rodés, Manuel Podetti, Yosly Hernández and Cesar Collazos
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de Aguinaga, Rocío. 2015. Bases para una educación apropriada y pertinente en un contexto comunitari. - La cultura wixárika ante los desafíos del mundo actual: La negociación para la comunicación