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Irena Kossowska

References Adam, Peter. Art of the Third Reich, New York: Harry Abrams, 1992. Art, Culture, and Media under the Third Reich, edited by Richard Etlin, Chicago: University of Chicago Press 2002. Berger, Ursel. Georg Kolbe. Leben und Werk mit dem Katalog der Kolbe Plastiken in Georg- Kolbe-Museum, Berlin: Gebruder Mann Verlag, 1990. Bernd, Nicolai. “Tectonic Sculpture: Autonomous and Political Sculpture in Germany.” In Dawn Ades et al., Art and Power. Europe under the Dictators 1930

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Mateusz Chaberski

York: Columbia University, 1994. Fried, Michael. Art and Objecthood. Essays and Reviews, Chicago and London: The University of Chicago Press, 1998. Glide, Joseph M. “Shadwell and the Royal Society: Satire in The Virtuoso”, Studies in English Literature, 1500-1900, 10 (1970): 469-490. Haraway, Donna. ModestWitness@SecondMillenium.FemaleMan_Meets_OncoMouse. Feminism and Technoscience, New York/London: Routledge, 1997. Latour, Bruno. We Have Never Been Modern, Cambridge, Massachusetts: Harvard University Press, 1993

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Neringa Stoškutė

References Aleksandravičiūtė, Dovilė and Markevičiūtė, Vaida. “Apie tikrovės ribas ir dailės santykį su ideologija” [On Boundaries of Reality and Relationship Between Art and Ideology]. Kultūros barai (No. 4, 2010): 36-45. Andriuškevičius, Alfonsas. “Dailės galerija - ne enciklopedija” [An Art Gallery is not an Encyclopaedia]. Šiaurės atėnai (No. 957, 2009). Accessed April 22, 2017. http://eia.libis.lt:8080/archyvas/viesas/20110131123530/http://www.culture.lt/satenai/?leid_id=957&kas=straipsnis&st_id=17060

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Vilma Mačianskaitė

References “Works by Damien Hirst lose 30 per cent of their value, while one third fail to sell at all”. The Telegraph. November 27, 2012. Accessed August 20, 2017. http://www.telegraph.co.uk/culture/art/art-news/9705338/Works-by-Damien-Hirst-lose-30-per-cent-of-theirvalue-while-one-third-fail-to-sell-at-all.html. „Deimantui Narkevičiui skirta „Vincento“ premija“ [Deimantas Nakevicius awarded “Vincent Award”]. 7 meno dienos [7 Days of Art], 815. (2008). http://eia.libis.lt:8080/archyvas/viesas/20110307042224/http

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Barbara Kwiatkowska-Tybulewicz

References Adorno, T.W. (1974). Filozofia nowej muzyki. Warszawa: PIW. [English edition: (2004) Philosophy of Modern Music. London, New York: Continuum] Adorno, T.W. (1990). Sztuka i sztuki [Art and the Arts] In Sztuka i sztuki. Wybor esejow [Art and the Arts. Selected Essays].Warszawa: PIW. Adorno, T.W. (2002). Aesthetic Theory. London, New York: Continuum. Bauman, Z. (2000). Globalization: the human consequences. New York: Columbia University Press. Danto, A.C. (2014). After

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Gabriel C. Gherasim

References Barnum, P.T. “Mr. Barnum on Museums.” Brushes with History. Writing on Art from The Nation 1865-2001. Ed. Peter G. Meyer. New York: Nation, 2001. 7-10. Print. Berger, John. “The Cultural Snob. There Is No Highbrow Art.” Brushes with History. Writing on Art from The Nation 1865-2001. Ed. Peter G. Meyer. New York: Nation, 2001. 256-61. Print. Brenner, Anita. “Frontiers of Machine Art.” Brushes with History. Writing on Art from The Nation 1865-2001. Ed. Peter G. Meyer. New York: Nation, 2001. 179

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Marinela Rusu

. (2015b). Intercultural Study of Art - Contemporary Dimension. Review of Artistic Education, 9/10, 255-264. 19. Rusu, M. (2016). Artistic personality in the light of socio-cultural integration. Review of Artistic Education, 11/12, 209-220. 20. Şchiopu, U. (1999). Psihologia artelor. București: Editura Didactică şi Pedagogică.

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Ewa Forma, Magdalena Bernaciak and Magdalena Bryś

References Baljet, B. 2000. The painted Amsterdam anatomy lessons: anatomy performances in dissecting rooms? Ann. Anat. 182: 3-11. Batistatou, A., Charalabopoulos, K. A. 2005. The art of science: Transitional cell carcinoma of the bladder and Golconda. Med. Hypotheses 65: 970-971. Baum, M. 2003. La Fornarina: breast cancer or not? Lancet 361: 1129. Belkin, K. L., Healy, F. Martin, G. 2004. Painting and sculpture. In: K. L. Belkin, F. Healy (eds), A house of

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Augustine Okola Bardi

References 1. Abaje, K. (2008). The National Gallery of Art, An Unpublished B.A. Project, Department of Fine and Applied Arts, Benin: University of Benin. 2. Gauvard, C. (1999). Il etait une fois la France, Vingt siecle d„Histoire. Publie par Selection du Reader‟s Digest Paris. pp. 116-121. 3. Oloidi, O. (2011). The Rejected Stone: Visual Arts in an Artistically Uniformed Nigerian Society. Nsukka: University Nigeria Nsukka Ceremonial Committee. 4. Hutyrova, M. (2016). Utilization of Narrative

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Marinela Rusu

References 1. Blaga, L. (1939). Artă şi valoare. București: Fundaţia pentru literatură şi artă. 2. Delacroix, H. (1927). Psihologie de l‟art. Paris: Alcan. 3. Doncean, Gh. & Doncean M. (2016). Ingineria creativității tehnice. Iași: Tehnopress. 4. Gombrich, E. H. (1973). Artă şi iluzie. București: Meridiane. 5. Goleman, D. (2001). Inteligenţa emoţională. București: Curtea Veche. 6. Marcus, S. (1997). Empatie şi Personalitate. Bucureşti: Atos. 7