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Olga Nicoara

2018] The Singing Revolution (2007), [Film] dir. J. Tusty & M. S. Tusty, Averill Park, NY: Sky Films. Tilly, C. (1978), From Mobilization to Revolution, Reading, MA: Addison-Wesley. Tullock, G. (1974), The Social Dilemma: The Economics of War and Revolution, Blackburg, VA: University Publications. Williamson, O. E. (2000), ‘The new institutional economics: taking stock, looking ahead,’ Journal of Economic Literature , vol. 38, no. 3 (September), pp. 595–613. https://doi.org/10.1257/jel.38.3.595

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Dagmar Podmaková Ú

Abstract

In the 1940s the Drama Company of the Slovak National Theatre introduced four poetry productions, which demonstrated the stage potential of the symbiosis of verse and a music-accompanied recitation in an original stage design solution. The single presentation of poetry of Poézia revolúcie a boja [The Poetry of Revolution and Fight, 1945] directed by Ján Jamnický and Pásmo poézie Janka Jesenského [The Show of Poetry by Janko Jesenský, 1946] directed by Jozef Budský were the first independent attempts at staging selected poetry. Besides recitation, they were dominated by the visual sign, powerful music sometimes accompanied by the singing of individuals and a voice band, and distinctive lighting design. Botto’s Smrť Jánošíkova [The Death of Jánošík] and Sládkovič’s Marína (both in 1948) directed by Jozef Budský displayed all features of synthetic theatre, combining recitation, voice band singing, scenic and visual solutions, metaphor, originally composed music inspired by the folk song, dance, film screening, and meaningful lighting. Jozef Budský indirectly built on Czech theatre, particularly on E. F. Burian. Both masterpieces by the authors of Štúr’s generation (Ján Botto, Andrej Sládkovič) aroused the interest of the expert public and the audience. It triggered arguments about excessive directorial intervention and insufficient ideological character, especially in the theatre form of Marína.

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Rossella Marisi

References 1. Arias Enrique Alberto (1999), Reflections from a Cracked Mirror, 137 in Arias Enrique Alberto, Filler Susan M., Porter William V. (1999), A Compendium of American Musicology. Essays in Honor of John F. Ohl, Northwestern University Press, Evanston. 2. Arias Enrique Alberto, Filler Susan M., Porter William V. (1999), A Compendium of American Musicology. Essays in Honor of John F. Ohl, Northwestern University Press, Evanston. 3. Baird Julianne (1997), “Solo Singing 2,” in A Performer’s Guide to

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David T. Lohrey

Testimony: The Process and the Struggle. In Caruth C (ed) Trauma: Explorations in Memory . Baltimore, MD: Johns Hopkins University Press. Lessing D (1992) Canopus in Argos: Archives . New York, NY: Vintage. Lessing D (1948) The Grass Is Singing . New York, NY: Schribner’s. Lodge D (2003) Disturbing the Peace, review of Disgrace by J. M. Coetzee. The New York Review 20 November. Available online for consultation on http//www.nybooks.com/articles/16791 : 5. Lustig A (2000) Lovely Green Eyes [translated by Ewald Osers]. New York, NY: Arcade

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Patrick Mccartney

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Kersti Kollom

Cancer Strategy. Tallinn, Estonia: Ministry of Social Affairs. [Ref.10.05.2011. Online: http://www2.tai.ee/teated/arenduskeskus/Vahistrateegia/National_Cancer_strategy_2007_2015eng.pdf Ministry of Social Affairs (2008): National Health Plan. Tallinn, Estonia: Ministry of Social Affairs. [Ref.09.05.2011. Online: http://www.sm.ee/fileadmin/meedia/Dokumendid/ASO/RTA/National_Health_Plan_2009_2020.pdf Narusk, A. (1999): Forgotten Tunes of the Singing Revolution. In: Moskalewicz, J. & Tigerstedt, C. (eds): Public Opinion

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Żaneta Brudkowska, Małgorzata Tomczyk, Katarzyna Jusiak, Hanna Karakuła-Juchnowicz and Ewa Rudnicka-Drożak

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Burcu Togral Koca

of Locality in Migration Studies: Migrant Incorporation and City Scale. In: Journal of Ethnic and Migration Studies 35, 2, 177202. doi: 10.1080/13691830802586179 Glick Schiller N. Çağlar A. 2009 Towards a Comparative Theory of Locality in Migration Studies: Migrant Incorporation and City Scale Journal of Ethnic and Migration Studies 2 2 177202 10.1080/13691830802586179 Glick Schiller, N.; Meinhof, U.H. (2011): Singing a New Song? Transnational Migration, Methodological Nationalism and Cosmopolitan Perspectives. In: Music and Arts in Action 3